any other translation of that poet. We simply admit to an honest appreciation of the poem by Edward FitzGerald, the Suffolk squire, the poem that Tennyson describes as “the one thing done divinely well.” That poem by FitzGerald will live as long as the English language, and let it never be forgotten that it is the work of an East Anglian, an East Anglian who, like Borrow, possessed a marked Celtic quality, the outcome of a famous Irish ancestry, nevertheless of an East Anglian who loved its soil, its rivers and its sea.
Then I come to another phase of East Anglian literary traditions. It is astonishing what a zest for learning its women have displayed; I might give you quite a long list of distinguished women who have come out of East Anglia. Crabbe must have had one in mind when he wrote of Arabella in one of his Tales:—
This reasoning maid, above her sex’s dread
Had dared to read, and dared to say she read,
Not the last novel, not the new born play,
Not the mere trash and scandal of the day;
But (though her young companions felt the shock)
She studied Berkeley, Bacon, Hobbes and Locke.
The one who perhaps made herself most
notorious was Harriet Martineau, and in spite of her disagreeable egotism it is still a pleasure to read some of her less controversial writings. Her Feats on the Fiord, for example, is really a classic. But I can never quite forgive Harriet Martineau in that she spoke contemptuously of East Anglian scenery, scenery which in its way has charms as great as any part of Europe can offer. No, in this roll of famous women, the two I am most inclined to praise are Sarah Austin and Fanny Burney. Mrs. Austin was, you will remember, one of the Taylors of Norwich, married to John Austin, the famous jurist. She was one of the first to demonstrate that her sex might have other gifts than a gift for writing fiction, and that it was possible to be a good, quiet, domestic woman, and at the same time an exceedingly learned one. Even before Carlyle she gave a vogue to the study of German literature in this country; she wrote many books, many articles, and made some translations, notably what is still the best translation of von Ranke’s History of the Popes. In the muster-roll of East Anglian worthies let us never forget this singularly good woman, this correspondent of all the
most famous men of her day, of Guizot, of Grote, of Gladstone, and one who also, as a letter-writer, showed that she possessed the faculty that seems, as I have said, to be peculiar to the soil of East Anglia. Still less must we forget Fanny Burney, who, born in King’s Lynn, lived to delight her own generation by Evelina and by the fascinating Diary that gives so pleasant a picture of Dr. Johnson and many another of her contemporaries. Evelina and the Diary are two of my favourite books, but I practise self-restraint and will say no more of them here.
I now come to my ninth, and last, name among those East Anglian worthies whom I feel that we have a particular right to canonize—George Crabbe—“though Nature’s sternest painter yet the best,” as Byron described him. Now it may be frankly admitted that few of us read Crabbe to-day. He has an acknowledged place in the history of literature, but there pretty well even well-read people are content to leave him. “What have our literary critics been about that they have suffered such a writer to drop into neglect and oblivion?” asks a recent Quarterly Reviewer. He does not live as Cowper
does by a few lyrics and ballads and by incomparable letters. Scarcely a line of Crabbe survives in current conversation. If you turn to one of those handy volumes of reference—Dictionaries of Quotation, as they are called—from which we who are journalists are supposed to obtain most of the literary knowledge that we are able to display on occasion, you will scarcely find a dozen lines of Crabbe. And yet I venture to affirm that Crabbe has a great and permanent place in literature, and that as he has been a favourite in the past, he will become a favourite in the future. Crabbe can never lose his place in the history of literature, a place as the forerunner of Wordsworth and even of Cowper, but it would be a tragedy were he to drop out of the category of poets that are read. A dainty little edition in eight volumes is among my most treasured possessions. I have read it not as we read some so-called literature, from a sense of duty, but with unqualified interest. We have had much pure realism in these latter days; why not let us return to the most realistic of the poets. He was beloved by all the greatest among his contemporaries. Scott and Wordsworth
were devoted to his work, and so also was Jane Austen. At a later date Tennyson praised him. We have heard quite recently the story of Mr. James Russell Lowell in his last illness finding comfort in reading Scott’s Rob Roy. Let us turn to Scott’s own last illness and see what was the book he most enjoyed, almost on his deathbed:—
“Read me some amusing thing,” said Sir Walter, “read me a bit of Crabbe.” “I brought out the first volumes of his old favourite that I could lay hand on,” says Lockhart, “and turned to what I remembered was one of his favourite passages in it. He listened with great interest. Every now and then he exclaimed, “Capital, excellent, excellent, very good.”