It was for this same principle that Socrates, a generation later, gave up his life. In his defense he told his jury why: “Perhaps someone may say, ‘But Socrates, can you not go off and live in exile, give up talking and be quiet?’ This is the very point on which it is hardest to persuade some of you, for if I say that this is exile to be disobeying the god and therefore that it is impossible to keep quiet, you will not believe me, but will say that I am ironical.”[149] Socrates believed that he had a divine commission to question and examine others, and that duty he must perform as the heroine in the tragedy must perform hers, cost him what it might.
The eternal problem of human suffering, the fact that pain and misfortune are not always the result of wrong doing, but that the innocent suffer while the guilty escape, was a matter with which Sophocles was much concerned. His predecessor Aeschylus had tried to show in opposition to experience that sin always preceded pain; and in Sophocles the doom of Creon and his house is due to the king’s proud resentment wherein he sinned against heaven’s law. But in the same play the heroine Antigone, who has obeyed the divine mandates, is forced to suffer a most pathetic fate. King Oedipus was not intentionally guilty, and the fate of the innocent queen Deianeira surpasses in pathos that of any other tragic heroine. She was impelled by the tender desire to recall the love of her faithless husband, and the poet acquits her of blame, “She erred, though she intended well.”[150] But none the less she involved both husband and herself in dreadful doom.
The tragic poet found his solution of this ancient perplexing problem only in the larger view, which regarded the individual as but a slight factor in the economy of the whole. At times suffering was regarded as a means of discipline: “The soul that has been bedded in misfortune sees many things.”[151] Thus through pain one learns and has his nature developed. Theseus, in the Oedipus Coloneus, offers a kindly welcome to the exile Oedipus and his daughters, for his own sufferings in exile have produced a spirit of kindliness and charity in him. Oedipus himself in the same play is unlike the headstrong king of the earlier tragedy; suffering and time have chastened and enlightened him, though they have not made him mild in spirit.
Sophocles also displays great sympathy with human weakness and suffering. This appears in his treatment of the character of Deianeira, and above all in the tender pathos with which he brings out the human longings of Antigone, who though she has nobly obeyed heaven’s unwritten law, yet shrinks from suffering and death and from the loss of all that youth promises. It is not surprising, therefore, that we find in Sophocles mercy emphasized as a divine attribute, and this quality in the gods held up as an example to men. On this Polynices makes his appeal to Oedipus:
But seeing that Zeus on his almighty throne Keeps Mercy in all he does to counsel him, Thou, too, my father, let her plead with thee![152]
The sentiment is not far from Portia’s plea:
It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God’s When mercy seasons justice.
Sophocles’ sympathy for undeserved suffering, his understanding of the weakness of men, of their liability to error, and his faith in the gods, all led him to try to take the larger view of the ills of life, to which the philosopher Heraclitus had already given expression when he said that god does all things for the harmony of the whole; and that while men regard some things as right and others wrong, to god all things are fair and good and right. The individual is only a part of the great whole, and when human experiences are regarded sub specie aeternitatis, we shall find that that which seems evil is only permitted to make a just and harmonious unity. The poet tried to conceive of the life of man,
As a great whole, not analyzed to parts But each part having reference to all.
Looked at from this universal point of view the sufferings of Philoctetes, Antigone, Deianeira, and Oedipus are justified to men.