Man’s dependence on the gods is naturally recognized in Hesiod as elsewhere by the obligations of sacrifice, libation, and prayer, for these are universal modes of religious expression. The poet betrays the unimaginative character of a peasant by the baldness with which he says that material prosperity is the whole purpose of religious observance as well as of justice: “According to thy ability offer sacrifice to the immortal gods with thy person pure and undefiled, and burn the goodly thigh-pieces; again propitiate them with libations and with sacrifices, both when thou liest down and when the sacred light comes, that they may have a heart and mind kindly disposed toward thee; that thus thou mayest buy the land of others and not another thine.”[66] Yet we must remember that this huckster’s mind, as Plato might have called it, was common enough in Greece, that it was the ordinary attitude of the official Roman religion throughout Rome’s history, and that it has not disappeared from men’s thought today.
In the Iliad and Odyssey evil, like the good, comes from the gods. The simple fact is unquestionably recognized. But Hesiod searches more deeply for the origin of evil which he pessimistically regards as omnipresent. The story of Prometheus and Pandora contains in part the poet’s answer to this eternal riddle. The myth was already ancient and familiar to all. Once men lived without effort and free from evils, but when led by crafty Prometheus they had endeavored to cheat Zeus of the better part of the sacrificed bullock, the god withheld fire from them. Yet the cunning Titan stole a spark of this divine fire and delivered it to mortals. This Zeus allowed men to keep; by its aid they created all industries, but only at the cost of constant toil and struggle. Prometheus he punished harshly. To work his vengeance on mortals he caused Hephaestus to create a woman on whom the gods bestowed all gifts so that she was named Pandora. She opened a jar containing every kind of evil, which straightway flew out among mankind. Only Ἐλπίς remained therein—a word hardly equivalent to our Hope, but rather meaning “anticipation of misfortune.” It then is the only plague to which man is not subjected.[67] He is obliged to suffer, having been involved in the original sin of Prometheus, who wished to cheat Zeus of the sacrifice due him. Such is the sacred tale offered as an explanation of the presence of evils on earth. To us it seems childish, and indeed it did not completely satisfy Hesiod.
A second explanation of a very different sort was given, one which was in reality a profound attempt to trace man’s origin as well as to explain his actual condition.[68] This is the story of the five ages of man, beginning with the age of gold in which gods and men dwelt together. Then mortals lived like the gods with hearts untroubled, far from toil and suffering, and the earth yielded them of its own accord abundant food. Over them Cronos reigned. But the men of this Utopian age died in painless sleep; and the silver age under Zeus followed. Compared with the former it was an age of degeneracy in which men showed insolence toward one another and failed to sacrifice to the gods. Zeus in his anger destroyed these mortals. The three remaining ages—the bronze, the heroic, and the iron, show both decay and advance. The men of the bronze age were fierce, wild creatures, unapproachable in their savagery. To these succeeded a better and juster race, that of the heroes, who however met their fate in war beneath seven-gated Thebes or at Troy for fair-haired Helen’s sake. And now they dwell care-free in the Islands of the Blest. Finally Hesiod pictures his own age, that of iron. Now no longer do men spend their effort in war and battle, but they have come to a selfish individualism, “when father and children will not agree together, nor guest with host, nor friend with friend, nor brother longer be dear as aforetime.”[69] But this unlimited egoism, which Hesiod pictures, presupposes an intellectual evolution beyond the stage where men fought in masses as in the heroic time. Thus faithfully and relentlessly he describes his own day. Yet the poet is not without confidence that there are good as well as evil elements in the age of iron; but on the whole he is despondent and exclaims: “Would that I were not living in the fifth age of men, but that I had either died before them or been born later.”[70]
Thus Hesiod takes ancient myths and by his genius makes them epitomize the stages of man’s evolution downward morally, but forward intellectually. The faint hope expressed at the end of the exclamation just quoted shows that the poet saw the possibility of a better age to come, and therein he showed himself a prophet. He apparently did not regard the present age of iron as eternal, but perhaps, in accordance with the cyclical theory of the world, thought that the ages might revolve and the Golden Age return again. Furthermore, although he regards man’s course as largely one of degeneration, he sees that it has also been one in which intellectual progress has been made and law developed.
When we come to the question of life beyond the grave we must acknowledge that herein Hesiod shows no advance over Homer. For ordinary mortals oblivion in the dank halls of Hades seems to be the relentless doom. Only a few, the heroes of that earlier age are allowed by divine favor to dwell with hearts free from trouble in the Islands of the Blest.
Yet if we consider the Hesiodic poetry as a whole it does bear witness to a great change from the world of Homer. It shows clearly that by the seventh century b.c. man was coming to self-consciousness, that he was endeavoring by reflection to solve some of the deepest problems of life, and that he had already developed a moral code that demanded righteousness in the individual. Hesiod depicts for us a more thoughtful and a more reflective time than that shown us by Homer. How significant this change was I shall try to show in my next lecture.
II
ORPHISM, PYTHAGOREANISM, AND THE MYSTERIES
The seventh and sixth centuries before Christ were marked by important social, philosophic, and religious movements. Of the many causes which brought about these changes, the most easily traced are those of a political and economic nature.