“This is our festival, David!”
Again the music sounded, not, as before, in a joyous burst of melody, but in a slow chant, barbaric in feeling, wailing, unearthly. The listening throng moved uneasily, filled with vague premonitions of what was to come. Sajipona lifted her hands to the statue, then smiled serenely at the two lovers before her. The spell was broken.
“This is the ancient festival of my people,” she said. “It should be a time for rejoicing. The Gilded Man awaits us.”
As she spoke the veils covering the statue dropped one by one to the ground. Before them stood, dazzling, glorious, the figure of a man carved in gold. His head was uplifted, as if intent on something beyond the ordinary ken of mortal. Only the face was clearly and sharply chiseled; the rest of the figure—limbs, body, and flowing drapery—blended together in one massive pillar of flaming gold.
The effect on the beholder of this exquisitely molded shaft of metal, upon which the radium light from above sparkled and flashed, was indescribable. The brilliance, the lavishness of it, savored of barbarism; but the delicacy of detail, the simple pathos and exaltation portrayed in the face, had in it an art that was Nature’s own. And the wonder of it, the miracle that caught all men’s eyes as they looked, was the likeness that lived in every feature. For this Gilded Man, newly wrought to preside over the last festival of this forgotten race; this one final splendid piece of work that summed up all that was best and noblest in an ancient art, was a deathless portrait in gold of the man who stood before Sajipona, of the man upon whom she had built her hopes, and for whom she would sacrifice everything. It was David—a queen’s tribute of immortal love.
Touched at heart, the living David knelt at Sajipona’s feet, pressing her robe to his lips. A moment she stooped caressingly above him, whispering words that none—not even he—could hear. Then proudly she stood before them, regarding those about her with an eye that did not falter in its imperious glance.
“It is the last festival,” she said. “With this the Land of the Condor will pass away. The outside world of men has tracked us here before the dream that we had of a golden age could be fulfilled. Not with us can these be allied. They love not as we love; their faith, the beauty that they prize, is not as ours. In another time it might have been—perhaps it still will be. But, if it is to be, that dream will come true ages after this Feast, this Sacrifice, of the Golden Man is over.”
As she finished speaking, Sajipona looked again at David, unspoken grief in her eyes. He stretched his hands to her, murmuring her name, appealing to her, terror-stricken by the stern look that slowly overspread her features, telling of some great and tragic purpose she was bent on carrying out. But she was unmoved by his entreaties. Slowly she turned away. Then, beckoning to the priests, Saenzias and Omono, she disappeared with them behind the golden statue. Those who remained, breathlessly awaited her return—the explorers restless and anxious, the cavemen rapt in a sort of religious ecstasy. It was thus that their ancestors had awaited the plunge of the Indian monarch into the dark silent waters of the Sacred Lake.
And now high above them the thin wall of the palace roof was opened. Without, the great sun of this underworld poured down its radiance. Almost blinded, they could still dimly see, standing just on a level with this sun, Sajipona arrayed as became the last descendant of the zipas. At her side were the two priests; but these retreated as the scorching heat pierced them. For an instant she stood where they left her, a vision of majestic beauty that fascinated and held them spellbound. Then, chanting an Indian song of triumph, the pæan with which the ancient kings heralded their descent to the god beneath the waters of the Sacred Lake, she cast herself into the globe of fire.