With Helen, touching on the Tyrian shore.
Here, as the queen revolved with careful eyes
The various textures and the various dyes,
She chose a veil that shone superior far,
And glow’d refulgent as the morning star.
Iliad, vi.
Tyre appears to have been the only city of antiquity which made dyeing its chief occupation, and the staple of its commerce. There is little doubt that purple, the sacred symbol of royal and sacerdotal dignity, was a color discovered in that city; and, that it contributed to its opulence and grandeur. It is related that a shepherd’s dog, instigated by hunger, having broken a shell on the sea shore, his mouth became stained with a color, which excited the admiration of all who saw it, and that the same color was afterwards applied with great success to the dyeing of wool. According to some of the ancient writers, this discovery is placed in the reign of Phœnix, second King of Tyre (five hundred years before the Christian era); others fix it in that of Minos, who reigned 939 years earlier or, 1439 B. C. The honor of the invention of dyeing purple, is however, generally awarded to the Tyrian Hercules, who presented his discovery to the king of Phœnicia; and the latter was so jealous of the beauties of this new color, that he forbade the use of it to all his subjects, reserving it for the garments of royalty alone. Some authors relate the story differently: Hercules’ dog having stained his mouth with a shell, which he had broken on the seashore, Tysus, a nymph of whom Hercules was enamored, was so charmed with the beauty of the color, that she declared she would see her lover no more until he had brought garments dyed of the same. Hercules, in order to gratify his mistress, collected a great number of the shells, and succeeded in staining a robe of the color she had demanded. “Colored dresses,” says Pliny[65], “were known in the time of Homer (900 B. C.), from which the robes of triumph were borrowed.” Purple habits are mentioned among the presents made to Gideon, by the Israelites, from the spoils of the kings of Midan. Ovid, in his description of the contest in weaving between Minerva and Arachne, dwells not only on the beauty of the figures which the rivals wove, but also mentions the delicacy of shading by which the various colors were made to harmonize together:
[65] Plin. viii. 48.
Then both their mantles button’d to their breast,
Their skilful fingers ply with willing haste,