The wife of the Chancellor is supposed to haunt the mountain paths in the neighbourhood, and at night may be sometimes met with proclaiming her husband's innocence in a moaning voice. The story, doubtless, has its basis in the circumstance that the unfortunate woman lost her reason and ran away no one knew whither, but was ultimately found wandering aimlessly, and quite bereft of her senses, on the mountain-side between Brixlegg and Rattenberg. There was for many years (and may be still for aught we know) a tradition that when any one was about to die in the little village near Innsbruck, where Biener's wife, after her marriage, lived happily for many years, she appears to warn them.
Near the town, in one of the mining buildings, is a most curious picture done upon a wooden panel, combining a representation of the mining works about 1500 with one of the Crucifixion, in which the miners, with their pickaxes and shovels laid down beside them, are seen kneeling in prayer.
BRIXLEGG
Brixlegg is but a mile or so from Rattenberg. The neighbourhood is pretty, and there is a charming view from the bridge. The little busy town also forms an excellent centre from which to make some of the shorter excursions into the Ziller Thal and Achen Thal. But, although there are considerable smelting works and a wire-drawing industry at Brixlegg, to the tourist it is chiefly its reputation for peasant dramas which forms the chief attraction in the town, which is, however, quaint and in a measure picturesque.
The rural plays of Brixlegg are not only interesting by reason of the historical scenes they many of them represent, but also as survivals of a very early (if not the earliest) type of German dramatic expression and art which has come down to us. Most of the plays, types of costume, plots, and all the various items which go to make up these performances have done service for generations; but occasionally new plays are written and staged, mostly dealing with historical incidents and characters. In some parts of Tyrol where these plays survive, till at least very recent times, old masks were extant, which must have been handed down from the early Middle Ages, and possibly (so some competent authorities assert) date from Roman and Etruscan times. The Brixlegg performances should most certainly be seen by all who are interested in the true peasant drama and the evolution of dramatic art. The representations are far more interesting as native and peasant art than those of Meran, where to a certain extent outside criticism and influence have served to bring about modifications, the Meran performances lacking some of the naiveness and spontaneity of these simpler peasant dramatic plays.
SCHLOSS MATZEN
Just after leaving Brixlegg, on the left-hand side of the road stand three castles of note—Matzen, Lichtwer, and Kropfsberg. The first named is one of the most interesting and well-preserved examples of the mediæval schloss in Tyrol. A whole volume might be devoted to a description of its beauty of situation, architecture, romantic history and sieges, and yet leave much unsaid. Its huge round tower dominates the landscape, just as its beautiful lower courtyard, with its four tiers of cloistered corridors round two sides, with the "springs" of the arches supported upon short columns of unworked marble, its fine main hall, with priceless carved and panelled oak and hunting trophies, make it a unique possession. There is a charming view of its rivals, Lichtwer and Kropfsberg, from the drawing-room window, whilst standing at which (according to old chroniclers) one of the Frundbergs was shot dead by a crossbow bolt fired by his brother from the tower of Lichtwer, of which castle the latter was the owner.
SCHLOSS MATZEN