She looked as if, on this April day of '62, her dreams were of the fairest. The air, saturated with spring sunshine, was almost too soft and sweet to be wholesome for man. There was a languor in it which dulled the appetite for work; merely to live was happiness enough; effort seemed folly, and if a man could have been found with energy enough to pray, he would have prayed only that no change might come to him, that the gleam of the blue waters of the straits and the diamond brightness of the distant snow-peaks might remain his for ever, balanced by the soft green of the island pine-woods: that the hollow drumming of the mating grouse and the song of the meadow lark, and the hum of waking nature might continue to caress his ear, while only the scent of the fresh-sawn lumber suggested to him that labour was the lot of man.
And yet, in spite of this seeming dreaminess in nature, the old earth was busy fashioning new things out of the old, and the hearts of men all along the Pacific slope were waking and thrilling in answer to the new message of Mammon—"Gold! gold by the ton, to be had for the gathering in Cariboo!" The reports which had come down from Quesnel, of the fortunes made in '61 upon such creeks as Antler and Williams, had restored heart to the Victorians, and even to those Californian miners who still sojourned in their midst, so that quite half the people in the town, old residents as well as new-comers, were only waiting for the snows to melt, ere they rushed away to the mining district beyond the Bald Mountains.
But the snows tarry long in the high places of British Columbia, and the days went on in spite of the men and their desire, and bread had to be earned even in such an Elysium as Vancouver Island, with all the gold which a man could want, as folks said, within a few weeks' march of them; so that hands and brains were busy, in spite of the temptations of Hope and the spring sunshine. Moreover, there were dull dogs even then in Victoria, who believed more in the virtue of steady toil than in gold-mining up at Cariboo.
Thus it happened, then, that a big, yellow-headed axeman, and a ray of evening sunlight, looking in together through an open doorway upon Wharf Street, found a man within in his shirt sleeves, still busily engaged upon his daily task.
"Hullo, Corbett, how goes it? Come right in and take a smoke."
The voice, a cheery one with a genuine welcome in it, came from the inside of the house, and in answer the axeman heaved his great shoulder up from the door-post and loafed in.
In every movement of this man there was a suggestion of healthy weariness, that most luxurious and delightful sensation which comes over him who has used his muscles throughout the day in some one of those outdoor forms of labour which earn an appetite, even if they do not gain a fortune.
As he stood in the little room looking quizzically at his friend's work, Ned Corbett, in his old blue shirt and overalls, with the axe lying across one bare brown forearm, might have served an artist as a model for Labour; but the artist into whose studio he had come had no need for such models. There was no money in painting such subjects, and Steve Chance painted for dollars, and for dollars only. Round the room at the height of a man's shoulder was stretched a long, long strip of muslin (not canvas, canvas would cost six bits a picture), and this strip had been sized and washed over with colour. When Corbett entered, Chance had just slapped on the last patch of this preliminary coat of paint, so that now there was nothing more to be done until the morrow.
"Well, Steve, how many works of art have you knocked off to-day?" asked Corbett.