"I hear you're leaving then, Miss Raeburn," he said. "How's that?"

"It's too hard work for my sister," Jenny answered very politely. "And besides, she don't care for it, and nor don't I."

"Well, I'm going home along myself in November month, I believe, or I should have been sorry to leave you. What I come down to ask about was whether you'd let a bedroom to a friend of mine who's coming up from Cornwall on some law business in connection with some evidence over a right of way or something. A proper old mix up, I believe it is. But I don't suppose they'll keep him more than a week, and he could use my sitting-room."

Jenny looked at May.

"Yes, of course, let him come," said the housewife. "But when will it be?"

"October month, I believe," said Mr. Corin. "That's when the witnesses are called for."

Everything seemed to happen in October, Jenny thought. In October she would be twenty-two. How time was flying, flying with age creeping on fast. In the dreariness of life's prospect, even the arrival of Mr. Corin's friend acquired the importance of an expected event, and, though neither of the sisters broke through custom so far as to discuss him beforehand, the coming of Mr. Corin's friend served as a landmark in the calendar like Whitsuntide or Easter. Meanwhile, Mr. Raeburn, as if aware of the little time left in which the "Masonic Arms" could be enjoyed, drank more and more as the weeks jogged by.

Summer gales marked the approach of autumn, and in the gusty twilights that were perceptibly earlier every day, Jenny began to realize how everything of the past was falling to pieces. There was an epidemic of matrimony at the theater, which included in the number of its victims Maudie Chapman and Elsie Crauford. Of her other companions Lilli Vergoe had left the ballet and taken up paid secretarial work for some misanthropic society, while the relations between Irene and herself had been as grimly frigid ever since the quarrel. New girls seemed to occupy old places very conspicuously, and all the stability of existence was shaken by change. Only the Orient itself remained immutably vast and austere, voracious of young life, sternly intolerant of fading beauty, antique and unscrupulous.

Jenny was becoming conscious of the wire from which she was suspended for the world's gaze, jigged hither and thither and sometimes allowed to fall with a flop when fate desired a new toy. The ennui of life was overwhelming. A gigantic futility clouded her point of view, making effort, enjoyment, sorrow, disappointment, success equally unimportant. She was not induced by that single experience of St. Valentine's night to prosecute her curiosity. This may have been because passion full-fed was a disillusionment, or it may have been that the shock of her mother's madness appeared to her as a tangible retribution. Everything was dead. Her dancing, like her life, had become automatic, and even her clothes lasted twice as long as in the old days.

"I can't make out what's happened to everybody," she said to May. "No fellows ever seem to come round the stage door now. All the girls have either got married or booked up that way. Nobody ever wants to have larks like we used to have. You never hardly hear anybody laugh in the dressing-room now. I met someone the other day who knew me two years ago and they said I'd gone as thin as a threepenny-bit."