"Oh, yes, he invariably spoke of me as the Midshipman, I remember. I would then have been about eight years of age ... pray give my very kind regards to Mr. Guy and say how well we are both looking and what a benefit this fine air is to be sure, and don't forget our little expedition to the theatre. You must tell Mr. Guy the story of the piece. He will certainly enjoy hearing about that very nice-mannered convict who ... ah dear! how my poor father used to revel in the play."

Miss Verney's conversation scarcely ever stopped, and while Pauline was writing letters it was always particularly brisk, but she used to enjoy the accompaniment as she would have enjoyed the twittering of a bird. It seemed to inspire her letters with the equable gaiety that Guy was so glad to think was coming back to her. His own letters were invariably cheerful, and Pauline began to count the days to the time when she would see him again. Easter had gone by, and the weather was so steadily fine that it was a pity not to be together. He wrote of primroses awaiting her footsteps in the forest, of blue dog-violets and cowslips in the hollows of Wychford down, of all the birds that were now arrived in England, of the cuckoo's first call and of the first swallow seen.

Come back soon, my own, my sweet, he wrote. Come back and let this winter be all forgotten. I climbed up to the top of the church tower to-day, and oh, the tulips in your garden and oh, the emptiness of that garden notwithstanding! Come back, my Pauline, for you'll see the iris buds in the paddock and you've no idea of the way in which that river of ours sparkles on these April mornings. I wish I could tell you how remote this Winter already has grown. It has crept out of memory like a dejected nightmare at breakfast. You are never to think again about the stupid things I've said about religion: think only, my dearest, that I hope always for your faith. It would be dishonest of me to say that I believe now exactly as you believe, but I want to believe like that. Perhaps I'm illogical in writing this: perhaps all the time I do believe. Forget too what I said about Confession. I would almost go myself to prove my penitence (to you!), but I just can't bring myself to do that, because for me it really would be useless and would turn me against everything you count as holy. Forget all that has cast a shadow on our love. Count it all as my heedlessness and be confident that I alone was to blame. I would write more, but letters are such impossible things for intimacy. Some people can pour out their souls on paper: I can't. That's really what my poems suffer from. I have been working at them again since you were away, and they have a kind of coldness, a sort of awkward youthful reserve. Perhaps that's better than youthful exuberance, and yet I don't know. One can prune the too prodigal growth, but one can't always be sure of having the prodigality when one has the maturity. The metaphors seem to be getting rather tied up, and you must be bored by now with my chattering criticism.

Your mother came to tea yesterday and brought Monica. Margaret is rather in seclusion at present on account of Richard's arrival, I fancy. She's obviously dreading other people's notice. It is rather a self-conscious business, this waiting for the arrival of someone whom everybody expects is going to play such an important part in her life. If we were separated now for two years, it would be different; but I can see that Margaret is dreadfully afraid that now, having at last made up her mind to marry Richard, she may not care for him as much as she did. He must be a fine fellow. I'm looking forward tremendously to his coming. Monica was perfectly delightful yesterday, and grew quite excited in her nun-like way over the ultimate decoration of Plashers Mead. Dear me, what taste you all have got, and what a very great deal you've taught me! You must most of all forget that I ever said a word against your sisters. They have really equipped me in a way with a point of view toward art. I tried to tell Monica so yesterday afternoon. In fact we got on very well together. In a way, you know, she almost appreciates you more than Margaret does. You represent her hope, her ideal of the world. Worldly one, I must say good-night. Tell Miss Verney with my love that all her cats send their best respects and compliments and that Bellerophon particularly requests that his mistress will bring back whatever fish is in season at Scarborough. Oh, the funniest thing I've forgotten to tell you! Miss Peasey was chased by some bullocks across the big field behind the orchard! She was too priceless about it when she got home.

Pauline began to think it was impossible for her ever to have had the least worry in the course of her engagement. This was the first time she had been parted from Guy for more than a week during the whole of a year, and there was something very reassuring in such an opportunity to regard him like this so disinterestedly, to find that the separation was having the traditional effect and to be positive that she was going to meet him again at the end of April more in love than ever. Nevertheless she was always aware of being grateful for the repose from problems, and she did once or twice play with the idea of having perhaps made a mistake in objecting to his going abroad. It was on occasions of doubt like this that Pauline would try to impress Miss Verney with what existence had already meant to her.

"I'm feeling so old, Miss Verney."

"Old, my dear? Oh, that cannot be true," exclaimed her friend.

"Falling very much in love does make one feel old," Pauline declared.

"Let me see," Miss Verney went on, "let me try to remember how I felt. My impression is now that when I was in love I felt much younger that I do at present, but perhaps that is natural, for it is very nearly thirty years ago since William and I parted."

"Is he still alive?"