“Am I to speak to you again? As if there wasn’t enough to do without children why-why-whying morning, noon and night.”

Michael recognized finality of argument. The mention of morning, noon and night with their dreary suggestion of the infinite and unattainable plunged him into silence. Nurse, gratified by her victory and relieved to find that Stella was crooning happy mysteries to a rag doll, announced that she was prepared in return for the very best behaviour to push the two cots against the window. This done, she left the children to their first survey of London airs, to silent wonder amid the cheeping of countless sparrows.

Stella sat blinking at the light and the sailing clouds. She soon began to chant her saga. Primitive and immemorial sounds flowed from that dewy mouth; melodies and harmonies, akin to the day itself, voiced the progress of the clouds; and while she told her incommunicable delight there was actually no one to say ‘Stella, will you stop that ’umming?’ Michael could not compete with his sister in her interpretation of the clouds’ courses. He had, indeed, tried once or twice; but Stella either stopped abruptly, leaving him to lag for a while with a lame tune of his own, or else she would burst into tears. Michael preferred an inspiration more immediately visual to Stella’s incomprehensibly boundless observations. Michael would enjoy holding in his hand a bunch of blue cornflowers; Stella would tear them to pieces, not irritably, but absently in a seclusion of spacious visions. On this occasion Michael paid no attention to Stella’s salutation of light; he was merely thankful she showed no sign of wishing to be amused by ‘peep-bo,’ or by the pulling of curious faces. Both these diversions were dangerous to Michael’s peace of mind, because at some period of the entertainment he was bound, with disastrous results, to cross the line between Stella’s joy and Stella’s fear. Michael turned to look out of the window, finding the details of the view enthralling. He marked first of all the long row of poplar trees already fresh and vivid with young May’s golden green. Those trees, waving with their youthfulness in the wind, extended as far as could be observed on either side. Three in every garden were planted close to the farthest wall. How beautiful they looked, and how the sparrows hopped from branch to branch. Michael let his eyes rove along the pleasant green line whose slightness and evenness caressed the vision, as velvet might have caressed a hand running lightly over the surface. Suddenly, with a sharp emotion of shame, Michael perceived that the middle tree opposite his own window was different from the rest. It was not the same shape; it carried little blobs such as hang from tablecloths and curtains; it scarcely showed a complete leaf. Here was a subject for speculation indeed; and the more Michael looked at the other trees, the more he grew ashamed for the loiterer. This problem would worry him interminably: he would return to it often and often. But the exquisite pleasure he had taken in the trim and equable row was gone; for as soon as the eye caressed it, there was this intolerably naked tree to affront all regularity.

After the trees, Michael examined the trellis that extended along the top of a stuccoed wall without interruption on either side. This trellis was a curiosity, for if he looked at it very hard, the lozenges of space came out from their frame and moved about in a blur—an odd business presumably inexplicable for evermore like everything else. Beyond the trellis was the railway; and while Michael was looking a signal shot down, a distant roar drew near, and a real train rumbled past which, beheld from Michael’s window, looked like a toy train loaded with dolls, one of whom wore a red tam-o’-shanter. Michael longed to be sitting once again in that moving wonderland and to be looking out of the window, himself wearing just such another red tam-o’-shanter. Beyond the railway was surely a very extraordinary place indeed, with mountains of coal everywhere and black figures roaming about; and beyond this, far far away, was a very low line of houses with a church steeple against an enormous sky.

“Dinner-time! Tut-tut,” said Nurse, suddenly bustling into the room to interrupt Stella’s saga and Michael’s growing dread of being left alone in that wilderness beyond the railway lines.

“Could I be left there?” he asked.

“Left where?”

“There.” He pointed to the coal-yard.

“Don’t point!” said Nurse.

“What is that place?”