“I cannot think what has happened to you, Michael. You were perfectly charming all last term and never seemed to have a moment on your hands. Now you hang about the house on these lovely fine days and mope and grumble. I do wish you could enjoy yourself as you used to.”
“Well, I’ve got no friends down here,” Michael declared. “What is there to do? I’m sick of the band, and the niggers are rotten, and Stella always wants to hang about on the pier so that people can stare at her. I wish she’d go back to her glorious Germany where everything is so wonderful.”
“Why don’t you read? You used to love reading,” suggested Mrs. Fane.
“Oh, read!” exclaimed Michael. “There’s nothing to read. I hate Henty. Always the same!”
“Well, I don’t know anything about Henty, but there’s Scott and Dickens and——”
“I’ve read all them, mother,” Michael interrupted petulantly.
“Well, why don’t you ask Mrs. Rewins if you can borrow a book from her, or I’ll ask her, as you don’t like going downstairs.”
Mrs. Rewins brought up an armful of books which Michael examined dismally one by one. However, after several gilded volumes of sermons and sentimental Sunday-school prizes, he came across a tattered Newgate Calendar and Roderick Random, both of which satisfied somewhat his new craving for excitement. When he had finished these books, Mrs. Rewins invited him to explore the cupboard in her warm kitchen, and here Michael found Peregrine Pickle, Tom Jones, a volume of Bentley’s Miscellany containing the serial of Jack Sheppard by Harrison Ainsworth, and What Every Woman of Forty-five ought to Know. The last work upset him very much because he found it unintelligible in parts, and where it was intelligible extremely alarming. An instinct of shamefulness made him conceal this book in a drawer, but he became very anxious to find out exactly how old his mother was. She, however, was more elusive on this point than he had ever known her, and each elaborate trap failed, even the innocent production of the table for ascertaining anybody’s age in a blue sixpenny Encyclopædia: still, the Encyclopædia was not without its entertainment, and the table of diseases at the end was very instructive. Among the books which Michael had mined down in Mrs. Rewins’ kitchen was The Ingoldsby Legends illustrated by Cruikshank. These he found very enthralling, for though he was already acquainted with The Jackdaw of Rheims, he now discovered many other poems still more amusing, in many of which he came across with pleasure quotations that he remembered to have heard used with much effect by Mr. Neech in the Shell. The macabre and ghostly lays did not affect him so much as the legends of the saints. These he read earnestly as he read Don Quixote, discerning less of laughter than of Gothic adventure in their fantastic pages, while his brain was fired by the heraldic pomps and ecclesiastical glories.
About this time he happened to pay a visit to Christchurch Priory and by the vaulted airs of that sanctuary he was greatly thrilled. The gargoyles and brasses and effigies of dead knights called to him mysteriously, but the inappropriate juxtaposition of an early Victorian tomb shocked him with a sense of sacrilege. He could not bear to contemplate the nautical trousers of the boy commemorated. Yet, simultaneously with his outraged decorum, he was attracted to this tomb, as if he detected in that ingenuous boy posited among sad cherubs some kinship with himself.
In bed that night Michael read The Ingoldsby Legends in a fever of enjoyment, while the shadows waved about the ceiling and walls of the seaside room in the vexed candlelight. As yet the details of the poems did not gain their full effect, because many of the words and references were not understood. He felt that knowledge was necessary before he could properly enjoy the colour of these tales. Michael had always been inclined to crystallize in one strong figure of imagination his vague impressions. Two years ago he had identified Mr. Neech with old prints, with Tom Brown’s Schooldays and with shelves of calf-bound books. Now in retrospect he, without being able to explain his reason to himself, identified Mr. Neech with that statue of the trousered boy in Christchurch Priory, and not merely Mr. Neech but even The Ingoldsby Legends as well. He felt that they were both all wrong in the sanctified glooms of the Middle Ages, and yet he rejoiced to behold them there, as if somehow they were a pledge of historic continuity. Without the existence of the trousered boy Michael would scarcely have believed in the reality of those stone ladies and carved knights. The candlelight fluttered and jigged in the seaside room, while Mr. Neech, The Ingoldsby Legends and the oratories of Christchurch became more and more hopelessly confused. Michael’s excited brain was formulating visions of immense cathedrals beneath whose arches pattered continually the populations of old prints: the tower of St. Mary’s College, Oxford, rose, slim and lovely, against the storm-wrack of a Doré sky: Don Quixote tilted with knights-at-arms risen from the dead. Michael himself was swept along in cavalcades towards the clouds with Ivanhoe, Richard Cœur de Lion, Roderick Random and half a dozen woodcut murderers from the Newgate Calendar. Then, just as the candlelight was gasping and shimmering blue in the bowl of the candlestick, he fell asleep.