“But what about the twentieth century?” asked Michael.
Mr. Wilmot started.
“Listen, and I will tell you my intention. Two more years have yet to run before that garish and hideous date, prophetic of all that is bright and new and abominably raw. But I shall have fled, how I know not; haply mandragora will lure my weary mind to rest. I think I should like to die as La Gioconda was painted, listening to flute-players in a curtained alcove; or you, Michael, shall read to me some diabolic and funereal song of Baudelaire, so that I may fearfully pass away.”
Michael, sitting in the dim room of peacock-blue made tremendously nocturnal by the heavy smoke of all the cigarettes, did not much care for the turn the conversation of Mr. Wilmot had taken. It had been interesting enough, while the discussion applied directly to himself; but all this vague effusion of learning meant very little to him. At the same time, there was an undeniable eccentricity in a member of the Upper Fifth sitting thus in fantastic communion with a figure completely outside the imagination of Mr. Cray or any of his inky groundlings. Michael began to feel a contemptuous pity for his fellows now buried in bedclothes, hot and heavy with Ciceronian sentences and pious preparation. He began to believe that if he wished to keep pace with this new friendship, he must acquire something of Mr. Wilmot’s heightened air. And however mad he might seem, there stood the books, and there stood the cigarettes for Michael’s pleasure. It was all very exciting, and it would not have been possible to say that before he met Wilmot.
The friendship progressed through the rest of the autumn-term, and Michael drifted farther away from the normal life of the school than even his incursion into Catholicism had taken him. That phase of his development had penetrated deeper than any other, and from time to time Michael knew bitter repentances and made grim resolutions. From time to time letters would arrive from Dom Cuthbert asking him down to Clere Abbey; Mr. Viner, too, would question him narrowly about his new set of friends, and Michael’s replies never seemed perfectly satisfactory to the shrewd priest.
It was by his costume more than by anything else that Michael expressed at first his sense of emancipation. He took to coming to school in vivid bow-ties that raised Mr. Cray’s most sarcastic comments.
“The sooner you go to the History Sixth, Fane, and take that loathsome ribbon with you, the better for us all. Where did you get it? Out of the housemaid’s trunk, one would say, by its appearance.”
“It happens to be a tie,” said Michael with insolence in his tone.
“Oh, it happens to be a tie, does it? Well, it also happens to be an excellent rule of St. James’ School that all boys, however clever, wear dark suits and black ties. There also happens to be an excellent cure for pretentious and flamboyant youths who disregard this rule. There happens to be a play by one Euripides called the Alcestis. I suggest you write me out the first two hundred lines of it.”
Michael’s next encounter was with Mr. Viner, on the occasion of his producing in the priest’s pipe-seasoned sitting-room a handkerchief inordinately perfumed with an Eastern scent lately discovered by Wilmot.