Michael sat by the scented window, watching the stars twinkle, it almost seemed, in tune with the vibrant melodies that Stella rang out. In the bewitching candlelight the keyboard trembled and shimmered like water to a low wind. Deep in the shadow the three old ladies sat in a waxen ecstasy, so still that Michael wondered whether they were alive. He did not know whose tunes they were that Stella played; he did not know what dreams they wove for the old ladies, whether of spangled opera-house or ball; he did not care, being content to watch the lissome hands that from time to time went dancing away on either side from the curve of Stella’s straight back, whether to play with raindrops in the treble or marshal thunders from the bass. The candlelight sprayed her flowing chestnut hair with a golden mist that might have been an aureole over which the apple-green bows floated unsubstantial like amazing moths.
Michael continually tried to shape his ideas to the inspiration of the music, but every image that rose battling for expression lost itself in a peerless stupefaction.
Then suddenly Stella stopped playing, and the enchantment was dispelled by murmurous praise and entering lamplight. Stella, slim as a fountain, stood upright in the centre of the drawing-room and, like a fountain, swayed now this way, now that, to catch the compliments so dear to her. Michael wished the three old ladies would not appeal to him to endorse their so perfectly phrased enthusiasm, and grew very conscious of the gradual decline of ‘oui’ into ‘wee’ as he supported their laudation. He was glad when M. Regnier proposed a game of billiards, and glad to see that Stella could romp, romp so heartily indeed that once or twice he had to check a whispered rebuke.
But later on when he said good night to her outside his bedroom, he had an impulse to hug her close for the unimaginable artistry of this little sister.
Michael and Stella went out next day to explore the forest of Compiègne. They wandered away from the geometrical forest roads into high glades and noble chases; they speculated upon the whereabouts of the wild-boars that were hunted often, and therefore really did exist; they lay deep in the bracken utterly remote in the ardent emerald light, utterly quiet save for the thrum of insects rising and falling. In this intimate seclusion Michael found it easy enough to talk to Stella. Somehow her face, magnified by the proportions of the surrounding vegetation, scarcely seemed to belong to her, and Michael had a sensation of a fairy fellowship, as he felt himself being absorbed into her wide and strangely magical eyes. Seen like this they were as overwhelmingly beautiful as two flowers, holding mysteries of colour and form that could never be revealed save thus in an abandonment of contemplation.
“Why do you stare at me, Michael?” she asked.
“Because I think it’s funny to realize that you and I are as nearly as it’s possible to be the same person, and yet we’re as different from each other as we are from the rest of people. I wonder, if you didn’t know I was your brother, and I didn’t know you were my sister, if we should have a sort of—what’s the word?—intuition about it? For instance, you can play the piano, and I can’t even understand the feeling of being able to play the piano. I wish we knew our father. It must be interesting to have a father and a mother, and see what part of one comes from each.”
“I always think father and mother weren’t married,” said Stella.
Michael blushed hotly, taken utterly aback.
“I say, my dear girl, don’t say things like that. That’s a frightful thing to say.”