Hereupon Nurse disconcerted Michael by bursting into tears, and he presently found himself almost petting her and declaring that he was very sorry for having been so unkind. He found a certain luxury in this penitence just as he used to enjoy a reconciliation with the black kittens. Perhaps it was this scene with Nurse that prompted him soon afterwards to the creation of another with his sister. The second scene was brought about by Stella’s objection to the humming with which Michael was somewhat insistently celebrating the advent of Miss Carthew.

“Don’t hum, Michael. Don’t hum. Please don’t hum,” Stella begged very solemnly. “Please don’t hum, because it makes my head hurt.”

“I will hum, and every time you ask me not to hum, I’ll hum more louder,” said Michael.

Stella at once went to the piano in the day-nursery and began to play her most unmelodious tune. Michael ran to the cupboard and produced a drum which he banged defiantly. He banged it so violently that presently the drum, already worn very thin, burst. Michael was furious and immediately proceeded to twang an over-varnished zither. So furiously did he twang the zither that finally he caught one of his nails in a sharp string of the treble, and in great pain hurled the instrument across the room. Meanwhile, Stella continued to play, and when Michael commanded her to stop, answered annoyingly that she had been told to practise.

“Don’t say pwactise, you silly. Say practise,” Michael contemptuously exclaimed.

“Shan’t,” Stella answered with that cold and fat stolidity of demeanour and voice which disgusted Michael like the fat of cold mutton.

“I’m older than you,” Michael asserted.

Stella made no observation, but continued to play, and Michael, now acutely irritated, rushed to the piano and slammed down the lid. Stella must have withdrawn her fingers in time, for there was no sign of any pinch or bruise upon them. However, she began to cry, while Michael addressed to her the oration which for a long time he had wished to utter.

“You are silly. You are a cry-baby. Fancy crying about nothing. I wouldn’t. Everybody doesn’t want to hear your stupid piano-playing. Boys at school think pianos are stupid. You always grumble about my humming. You are a cry-baby.

What are little boys made of?
Sugar and spice and all that’s nice,
That’s what little boys are made of.
What are little girls made of?
Slugs and snails and puppy-dogs’ tails,
Ugh! that’s what little girls are made of.”