Want of food prevented Sylvia from sleeping, and in her overwrought spirit those good-night words of Queenie seemed to presage the collapse of everything.

"It shall not be. It shall not be," she vowed to herself. "I will not be defeated by squalid circumstances in this dreary little Rumanian town. If thirteen years ago I could sell my body to save my soul, now I can sell my body to save the soul of another. Surely that sacrifice will defeat futility. I had a presentiment of this situation when I was arguing with Philip that afternoon. I warned him that nothing should stand in my way over this girl. And nothing shall! To-morrow I will invite this youth who is the son of the richest man in Avereshti. He will not refuse me twenty francs for my body. If I cannot do this I am worth no more than those trinkets that the jeweler refused to buy for ten francs. I will do this, and accept its accomplishment as the sign that I have fought long enough. Then I will go to Philip and tell him what his refusal has brought about. I will make him give me the passport. But suppose that he is no longer capable of being horrified? Suppose that my behavior of thirteen years ago has rendered him proof against such an emotion? Oh well, we shall see. Am I light-headed? No, no, no. On the contrary, hunger makes one clear-sighted. It must be. It shall be. The duty of the human soul lies in such a complete, such a reckless, such a relentless, such a victorious self-will as can only be assuaged by self-sacrifice. This is the great paradox of life. This is the divine egotism."

Toward dawn Sylvia slept, and woke at sunrise from dreams that were strangely serene in contrast with the tormenting fevers of the night, to find that Queenie was still fast asleep. The beauty of her lying there in this lucid and golden morn was like the beauty of a flower that blooms at daybreak in a remote garden. It was a beauty that caught at Sylvia's heart, a beauty that could only be expressed with tears which were silent as the dew and which, like the dew, sparkled in the daybreak of the soul.

"It is through such tears that people have seen the fairies," she murmured.

Sylvia half raised herself in bed, and, leaning upon her elbow, she watched the sleeping girl so intently that it seemed as if some of herself was passing away to Queenie. This still and virginal hour was indeed time transmuted to the timelessness of dreams, in which absolute love like a note of music rose quivering upon its own shed sweetness to such an ecstasy of sustained emotion that the barest memory of it would secure the wakeful one forever against disillusionment.

"Call it hunger or the divine vision, the result is the same," she murmured. "I was lifted out of myself, and I take it that is the way martyrs died for their faith. From an outsider's point of view I may be only worthy of a foot-note in a manual of psychology; but I 'on honeydew have fed and drunk the milk of Paradise.' Another queer thought: the fasting saint and the drunken sinner both achieve ecstasy by subduing the body, the one with mortification, the other with indulgence. Those whom the gods love die young—they drink too deep and too often of honeydew and become intoxicated even unto death. Wine must serve the man who would live long. Perhaps I am one of those less rare spirits that depend too much on purely material beauty; yet even in defense of so little I can act. Some nightingales love roses: the rest of them love other nightingales. Which do I love? Ah, whether Queenie be rose or nightingale, what does it matter? Nobody that would not stoop to save a wood-louse in his path can claim to love. And I will stoop as low as hell to save this rosebud that has already been gathered and wired and worn in a buttonhole and dropped by the roadside, but surely not yet trodden underfoot."

Queenie woke with a bad headache, and Sylvia went down-stairs to see if she could persuade the waiter to let her have some coffee. He was going to refuse, but when she asked him if he would tell M. Florilor that a visit would be welcomed that afternoon, his manner changed, and presently he came back from an interview with the proprietor to say that he would serve coffee at once. At the same time he brought the bill of fare for lunch, and seemed anxious that they should choose some special delicacy to fortify themselves against the ill effects of the day before. There was no talk of paying for the meal, and the best wine was indicated with that assumption of subservient greed which is common to all good waiters.

After lunch Sylvia told Queenie that she was going out to send off the delayed telegram to Bucharest, and left her lying down with her pictures. Then she consulted the waiter about a room. The waiter agreed that it would be inconvenient to receive M. Florilor in their own, and informed her that the best room in the hotel was ready, adding that he had ordered plenty of cakes and put flowers in the vases.

"I'll go there now," Sylvia announced. "When he comes, bring him straight up."

The brightness of the early morning had been dimmed by a wet mist, and the room allotted for the reception of M. Florilor, which was on the other side of the hotel, looked out over houses covered with sodden creepers and down into gardens of disheveled sunflowers; it was a view that suited the mood Sylvia was in, and for a long time she stood gazing out of the window, trying to detect beyond the immediate surroundings of the hotel some definition of a landscape in the distance. In the light of the morning her resolution had not presented itself as morbidly as now; then it had appeared essentially poetic—a demonstration really of the creative power of the human will; now, like the dejected flowers in the gardens below, it hung limp and colorless. She turned away from the window and sat down in a tight new armchair, the back of which seemed to be inclosed in corsets. Everything in this room was new, and, like all hotel rooms, it depressed one with that indeterminate bleakness which is the property of never having been touched by the warmth of personality. It was bleak as an abandoned shell on the beach, and stirred by nothing save the end of the tide's ebb and flow. The waiter's attempt to give it the significance of human life by cramming bunches of dahlias into a pair of fluted vases only added to the desolate effect. For want of something to do Sylvia began to arrange the flowers with a little consideration for their native ugliness, as one tries to smarten an untidy woman with a bad figure; but when she poured some water into a china bowl and saw floating upon its surface the ends of burned-out matches and cigarettes, she gave up the task. These burned-out relics of transitory occupants seemed typical of the room's effect upon the pensive observer. A confused procession of personalities made up its history, and as these had cast away their burned-out cigarettes and matches, so had they cast behind them the room where they had lodged, preserving no memory of its existence and leaving behind not a single emotion to vitalize the bleak impersonal shell they had thankfully forsaken.