"Now when this happened I'd never seen my husband. He was working at the Embassy even in those days, and never went to Finland in his life. The next day the family was called back to Petersburg on account of the death of the grandmother, and I met Gontran at some friends'! We were married about six months afterward.
"So there again, if I could see Gontran when he was alive before I'd ever met him, you don't suppose I'm not going to believe that I've seen him any number of times since he was dead? Until quite recently when he reached this new plane, we talked together as comfortably as when he was still alive and sitting in that chair."
Sylvia looked at the chair uneasily.
"It's only since he's met this Dick that the communications are so unsatisfactory. Why, of course I know what's happened," cried Mère Gontran, in a rapture of discovery. "Why didn't I think of it sooner? It's the war!"
"The war?" Sylvia echoed.
"Aren't there thousands of spirits being set free every day? Just as all the communications on earth have broken down, in the same way they must have broken down with the spirits. Fancy my not having understood that before! Well, aren't I dense?"
Five raps of surpassing loudness signaled upon the air.
"Gontran's delighted," she exclaimed. "He was always delighted when I found out something for myself."
Soon after this Mère Gontran, having gathered up from the crowded table a variety of implements that could not possibly serve any purpose that night, wandered out into the garden, followed by Samuel and the five cats; Sylvia thought of her haunted passage through the dark autumnal growth of leaves toward that strange room she occupied, and went up-stairs to bed rather tremulously. Yet on the whole she was glad that Mère Gontran left her like this every night at the pension with the Tartar servant in her cupboard under the stairs, and with the three ungainly sons, who used to sleep in a barrack at the end of the long passage on the ground floor. Sylvia had peeped into this room when the young men were out and had been surprised by its want of resemblance to a sleeping-chamber. There were, to be sure, three beds, but they had the appearance of beds that had been long stowed away in a remote part of a warehouse for disused furniture: the whole room was like that, with nothing human appertaining to it save the smell of stale tobacco-smoke. Yet, really, now that the migratory guests had gone on their way, it would have been even more surprising to find in the pension signs of humanity, so much had its permanent inhabitants, both animals and human beings, approximated to one another. The animals were a little more like human beings; the human beings were a little more like animals: the margin between men and animals was narrow enough in the most distinguishing circumstances, and at the pension these circumstances were lacking.
Before Sylvia undressed she opened the window of her bedroom and looked down into the moonlit garden. Mère Gontran's light was already lit, but she was still wandering about outside with her cats. Eccentric though she was, Sylvia thought, she was nevertheless typical. Looking back at the people who had crossed her path, she could remember several adumbrations of Mère Gontran—superstitious women with a love of animals. Of such a kind had been Mrs. Meares; and attached to every cabaret and theater there had always been an elderly woman who had served as commission agent to the careless artistes, whether it was a question of selling themselves to a new lover or buying somebody else's old dress. These elderly women had invariably had the knack of telling fortunes with the cards, had been able to interpret dreams and omens, and had always been the slaves of dogs and birds. The superficial ascription of their passion for animals would have been to a stifled or sterile maternity; but as with Mère Gontran and her three sons, Sylvia could recall that many of these elderly women had been the prey of their children. If one went back beyond one's actual experience of this type, it was significant that the witches of olden times were always credited with the possession of familiar spirits in the shape of animals; she could recollect no history of a witch that did not include her black cat. Was that, too, a stifled maternal instinct, or would it not be truer to find in the magic arts they practised nothing but a descent from human methods of intelligence to those of animals, a descent (if indeed it could be called a descent) from reason to instinct?