Then Phyllida sealed the note with one of her new wafers, and Thomas unscrewed the knob of his tall stick and put the note inside and the shilling-piece in his waistcoat pocket and marched away down the High Street, while Phyllida rushed off with her muff held up to the East wind which was quite cold when one was walking so fast. For the Western Colonnade, you turned to the right, but if you were going to Curtain Garden, you turned to the left, and Phyllida turned to the left.
She had to pass the end of the Crescent on her way, and hurried past, afraid for her life to see Mrs. Courteen sailing round the corner. She was now outside the Great House, and could not help looking up to the big bow-windows to see if Mr. Ripple was there. There he was, very calm and very dignified, but a little out of focus because his windows all had such very thick glass. She caught his eye, and the Great little Man smiled at her. She smiled back and blushed, thinking of the meeting of yesterday. Suddenly the window shot up, and Phyllida turned her head to see the Beau beckoning. She stopped in dismay, while Mr. Ripple, having first spread his handkerchief on the sill, leaned out to speak to her.
"Pray pardon this ungenteel summons, my dear Miss Courteen, but if you would not consider yourself compromised by such an adventure, I should be vastly honoured by your inspection of some proper new prints which have fallen into my hands."
Miss Courteen was overwhelmed by this invitation. What could she do but murmur assent?
The Beau, with a delightfully suave gesture, hurried to open the front door for Miss Courteen who tripped up the dazzling white steps, all swansdown and blushes.
Mr. Ripple begged her to follow him upstairs to the drawing-room and be seated before the fire.
It was a fine high room of good proportions, with three large sash-windows and a wrought-iron balcony running along the breadth of the house. The walls were panelled and painted white, and the floor was stained and varnished to a glaze of immense brilliancy. The rugs scattered about it were Aubusson, of rare hues in fawn and puce and faded lavender and old rose interwoven with queer dead greens. There were several prints on the walls, mostly after Watteau and Fragonard. The whole room wore the indescribable air that is only to be found in the house of a bachelor of comfortable means, good taste and a certain age. There was no trace of a woman's hand in its arrangement, and yet one felt that the owner, through long seclusion from the other sex, had softened towards it with the years until, secure at last, he was able to admit a feminine cirrhus into the limpid and rarefied air of his remote celibacy.
Phyllida, as she watched the firelight ripple in orange wavelets across the surface of the blue and white Dutch tiles set on either side of the hob, wondered what the Beau meant by this sudden invitation.
Just then he begged to be excused for a moment while he fetched the portfolio containing his new purchase.
She heard the door gently closed and looked round the room.