"You won't betray your Phyllida?" The question was such an one as circulating libraries knew very well. It was asked by many a contemporary Musidora or Clarinda of fiction. Yet so tremulous were the lips that asked it, lips frail as rose-leaves and, withal, ardent as wine, that Vernon shuddered. For the first time in his life he had raised a force. He was at home with Ranelagh romps, with patched beauties of Vauxhall, mistresses of intrigue whose fans had become a part of their bodies, or better, whose bodies were no more than the appendage of their fans, light, airy things where Love danced in a mask and could be shut up at will.
Now for the first time he stared into eyes which held immortality. He saw himself Point de Vise but intolerably diminished.
Vernon noticed that the cheek nearer to him flamed more crimson and for a while he was troubled by the mystery of Love's birth. Elation swung him to the skies and, catching Phyllida to his heart, he whispered of constancy, swore that love would endure for ever and hardly knew himself for a liar.
He never spoke again of pearls, and from that moment truly desired her for the youth and the mystery of herself.
With a pang of tenderness he let her go, watched her hurry down the corridor like a crimson Autumn leaf that is blown along by the wind. By the little door she looked back at him, and from the tips of her fingers sped elfin kisses which on the wings of the musick of flutes and fiddles were borne in grace and beauty.
She had promised. With a sigh Mr. Francis Vernon went back to superintend the arrangements for his farewell party. She had promised, and, as she slipped unobserved into the glitter and heat of Daish's famous Rooms, never seemed like one who has stood a long while in moonlight.
What mattered the censorious world? The softness of his black velvet sleeve thrilled her, and, forgetting all else, she began to build her house of dreams. What a house it was, with casements that looked on every month of the marching years. Now it was December when the snowflakes were falling. Down the corridor she and her lover moved in the grey light, but the casements were lined with ferns and stars and jewels of frost, so they sought Spring in the changing fire-gardens of burning logs. February went by with her showers and her celandines, her snowdrops and thrushes that sing on bare branches. That casement in her house of dreams was gilded round and the sill carved with posies and true-lovers' knots, for through it she had seen Love for the first time. March came in by night with a great noise of wind, yet even in the gusty darkness she could put out her hands to touch a velvet sleeve as black as the gloom enclosed by the open lattice. Every casement in her house of dreams was full of delight, even the quaint little window at the very end of the corridor whose ledge was the haunt of drifted leaves. In the far-off autumn he would still be by her side.
Somebody asked her to step a minuet, yet while her body danced, while her feet kept tune to the twinkling rhythm, while her fan fluttered to mortal harmonies, her soul was away with Love—God knows the spot, but ’twas somewhere mighty near the top of this green world. Now she was rocking a wooden cradle while the wind in the wide black chimney crooned an echo to the old nursery song she was singing. Ah! sir or madam, when a young maiden starts to build her house of dreams, I think, if she be a wise maid, she builds the nursery first of all.
This wonderful house had a number of clocks, tall clocks, short clocks, thin clocks, fat clocks, round clocks, square clocks, clocks on the wall, clocks on the mantelpiece, clocks in the corners; and every clock was ticking away to a tune of its own, for in the house of dreams there was never a moment that did not deserve perpetual commemoration.
Somebody asked her to step a gavotte. At the end of the garden of this wonderful house was a green wicket, and when you had walked through a coppice of birches and wild raspberries that ripen with the corn, you found yourself on the London road. It ran straight as a dart over hill and down dale, through villages whose cottages were only built to stare at the gay equipages that rattled past, for nothing alive was visible save a few geese on a blue and white pond beneath a blue and white sky. Phyllida's mind was a book of old wives' tales and her London was the golden London of Dick Whittington.