The sound of Mr. Caffyn's pecking with his latch-key at the lock was drowned in the noise of the car's backing out of Lonsdale Road. Dorothy laughed lightly to herself when she compared this interview with the one she had had not so many months ago about the £500, which, by the way, she must send back to her mother if Hausberg advised her to sell out those shares. No doubt, such a sum would be most useful to her father with his numerous responsibilities.
"And now," she murmured to herself, "I see no reason why I shouldn't meet Tony's mother."
VI
Dorothy had not been entirely insincere with Lonsdale in comparing marriage with success to the detriment of marriage. Success is a wonderful experience for the young, in spite of the way those who obtain it too late condemn it as a delusion; few girls of twenty-one, luxuriously independent and universally flattered, within two years of going on the stage would have seen marriage even with an earl in quite such wonderful colors as formerly. Fame may have its degrees; but when Dorothy, traveling in her car, heard errand-boys upon the pavement whistling "Dolly and her Collie" she had at least as much right to feel proud of herself as some wretched novelist traveling by tube who sees a young woman reading a sixpenny edition of one of his works, or a mother whose dribbling baby is prodded by a lean spinster in a tram, or a hen who lays a perfectly ordinary egg and makes as much fuss over it as if it were oblong.
It was certain that if Dorothy chose she could have one of the two principal parts in the next Vanity production and be earning in another couple of years at least £60 a week. There was no reason why she should remain in musical comedy; there was no reason why she should not take to serious comedy with atmosphere and surreptitious curtains at the close of indefinite acts; there was no reason why some great dramatist should not fall in love with her and invert the usual method of sexual procedure by laying upon her desk the offspring of their spiritual union. The possibilities of the future in every direction were boundless.
At the same time even as a countess her starry beams would not necessarily be obscured. As Countess of Clarehaven she might have as many pictures of herself in the illustrated papers as now; she could not give her name to face-creams, but she might give it to girls' clubs: one countess had even founded a religious sect, and another countess had ... but when one examined the history of countesses there was as much variety as in the history of actresses. And yet as a Vanity countess would it not be most distinguished of all not to appear in the illustrated papers, not to found sects and dress extravagantly at Goodwood? Would it not be more distinguished to live quietly down in Devonshire and make no more startling public appearances than by sometimes opening a bazaar or judging a collection of vegetables? Would it not be more distinguished to be the mother of young Lord Clare and Lady Dorothy Clare, and Lady Cynthia Clare, and the Honorable Arthur Clare.... Dorothy paused; she was thinking how improper it was that the younger sons of an earl should be accorded no greater courtesy than those of a viscount or a baron, when his daughters were entitled to as much as the daughters of a duke or a marquess. And after all, why shouldn't Tony be created a marquess? That was another career for a countess she had omitted to consider—the political hostess, the inspiration and amanuensis of her husband's speeches to the House of Lords. Some infant now squalling in his perambulator would write his reminiscences of a great lady's salon in the early years of the twentieth century, when the famous Dorothy Lonsdale stepped out of the public eye, but kept her hold upon the public pulse as the wise and beautiful Marchioness of Clarehaven. The second Marquess of Clarehaven, she dreamed; and beneath this heading in a future Debrett she read below, "Wife Living of the First Marquess. Dorothy (Marchioness of Clarehaven)"; if Arthur Lonsdale married well, that marchioness might not object to one of her younger daughters marrying his eldest son. Dorothy started. How should she herself be recorded in Debrett? "Dorothy, daughter of Gilbert Caffyn"? Even that would involve a mild falsification of her birth certificate, and if her sister Dorothy married that budding young solicitor from Norbiton they might take action against her. She hurriedly looked up in Debrett and Who's Who all the other actresses who had married into the peerage. In Debrett their original names in their stark and brutal ugliness were immortally inscribed; but in Who's Who their stage names were usually added between brackets. "The Earl of Clarehaven, m. 1905 Norah d. of G. Caffyn (known on the stage as Dorothy Lonsdale)." Ugh! At least she would not advertise the obvious horror of her own name so blatantly. She would not be more conspicuous than "Norah (Dorothy) d. of G. Caffyn." But how the girls at the theater would laugh! The girls at the theater? Why should the girls at the theater be allowed any opportunity of laughter—at any rate in her hearing? No, if she decided to accept Tony she should obliterate the theater. There should be no parade about her marriage; she would be married simply, quietly, and ruthlessly.
At the Vanity, Dorothy and her collie were a ravishing success; but she was a better actress off the stage than she was on, and she had soon persuaded herself that she really was still uncertain whether to accept Clarehaven's hand or not. The minor perplexities of stage name and real name, of town and country life, of publicity and privacy as a countess, magnified themselves into serious doubts about the prudence of marrying at all, and by the month of December Clarehaven was nearly distracted by her continuous refusals of him. The greater favorite she became with the public the more he desired her; and she would have found it hard to invent any condition, however flagrantly harsh, that would have deterred him from the match. Tufton almost went down on his knees to implore her to marry the lovesick young earl, his greatest friend; and even Lonsdale talked to Dorothy about her cruelty, and from having been equipped a month ago with invincible arguments against the match, now told her that in spite of everything, he thought she really ought to make the poor lad happy.
"He's as pale as a fellow I bumped in the back last Thursday, cutting round Woburn Square on the wrong side," he declared.
"No, he's not so sunburnt as he was," Dorothy agreed.
"Sunburnt? He's moonburnt—half-moonburnt—starburnt! But sunburnt! My dear Doodles, you're indulging in irony. That's what you're doing."