"I don't know why you should grumble to Sylvia about me. I don't grumble to her about you. When have I ever grumbled about your practising? You say the only reason you let yourself get talked about with David Bligh is because he's useful to you. You say he's helping you with your voice. Well, Tom helps me with my bag. What's the difference? It's only since you were asked out by those men who had a car that you suddenly discovered how impossible Tom was and began laughing at his waistcoats. I didn't laugh at Cyril Vavasour's waistcoat, which was more extraordinary than Tom's."
"I've never grumbled about Tom's carrying your bag," Dorothy explained, patiently. "What I said to Sylvia was that I didn't think you ought to let him kiss you. I don't think it's dignified."
"Well, as long as he doesn't want to kiss you, I don't see what you've got to complain about."
The bare notion of Tom's wanting to kiss her was so unpleasant to Dorothy that she had to withdraw from the conversation. Thenceforth the breach between her and Lily began to widen; in fact, if it had not been for Sylvia she would have told Lily that she could not share rooms with her any longer. She was afraid, however, that Sylvia might be so sorry for Lily that she would find herself left alone, which would put her in an undignified position, because the other girls might say that it was because she wanted to carry on, as they would vulgarly express it, with Bligh; besides, living alone was too expensive.
Since Nottingham, Dorothy had been criticizing the tenor almost as sharply as she criticized Tom Hewitt, and she was in no mood to encourage the idea that there was anything between him and her; all her lessons now were merely repetitions of what he had taught her already, and it became obvious to Dorothy that he was what he was in the profession simply because he was not good enough to be anything better. He had so often bragged to her about his success with other girls that he deserved to suffer on her account, and she felt quite like Nemesis when soon after this, while they were walking in the town of Leicester, she told him that this was to be their last walk together.
"Don't stand still in that theatrical way," she commanded. "Everybody's looking at you."
The kidney-stones of the Leicester streets had been hurting her feet, and she was in no mood for mercy.
"So this is the end," fluted David Bligh, with such emotion that the top note narrowly escaped being falsetto. "After all these weeks you're going to throw me away like an old chocolate-box."
He swished his cane with such demonstrative violence that, without seeing what he was doing, he cut a passer-by hard on the knuckle and thereby provoked a scene of humble apologies that made Dorothy more furious than ever.
"At least you might not make me look a fool in a public thoroughfare," she told him.