So they did not tell him when his cousins were expected.

He was in the garden, on the grass beneath the cedar, with Kay curled against him. He was telling her stories—his own inventions. On the wall, partly hidden in creepers, basking in the sunshine, blinking down on them through slits of eyes, was a great gray tabby. The tabby was the subject of the story. One day, returning along the Terrace he had found her. Her bones were poking through her fur: she was evidently a stray. He had stopped to stroke her and she had followed. After being fed on the doorstep, she refused to set off on her wanderings again. Whenever the door opened, she entered like a streak of lightning. She was determined to be adopted; though cook had broomed her on to the pavement many times, she was not to be dissuaded by any harshness of refusal. It was almost as though she knew that Kay and Peter were her eager advocates.

With a cat so determined there was only one thing to do; take her out and lose her. So she was captured by feigned kindness and tied in a fish-basket; Grace was given a shilling and the fish-basket with instructions to go on a trip to Hampstead and to leave the fish-basket behind. Now, whether it was that Grace was more kind-hearted than her statements, or whether it was that she preferred the company of her policeman to the fulfilling of her errand, the fact remains that the cat got back before her. An incredible performance if the basket had really been left at Hampstead! Grace was circumstantial in the account she gave; there was nothing for it but to accept her word that a cat had traveled more swiftly than a train.

Stern methods were employed. Doors were closed against the cat; things were thrown at it. It was encouraged to go hungry. The children were forbidden to call it.

One morning Peter jumped out of bed and ran to the window attracted by a strange noise. Looking down into the garden, he saw a flurry of fur careering across flowerbeds till it was brought up sharply against the wall with a bang. The bang was caused by a salmon-tin, in which the cat had got its head fastened while foraging in a garbage-pail. Before he could go to its rescue, cook came out with her hostile broom and commenced the chase. The cat, blinded and maddened, by a miracle of agility climbed a tree, leapt into a neighboring garden and vanished.

A week later it returned, with a ring about its neck where the jagged edges of the tin had torn it. Such persistence and loyalty of affection were not to be thwarted. At first the animal was tolerated; then, as its manners and appearance improved, it was taken into the family. Because of its adventures, when a name had to be chosen, Peter’s father suggested Romance. When Romance gave birth to kittens, they were named after various of the novelists.

The history of Romance, where she went and what she did, was a story which Kay was never tired of hearing, nor Peter of telling. Blinking down from the wall on this sunshiny morning, Romance listened with contented pride to the children, much as an old soldier might whose campaigning days were ended.

“And what did putty say when Gwacie twied to lost her?”

The ‘maginative child was about to answer, when his mother came out under the mulberry: “Peter. Kay. Oh, there you are! Here’s your surprise.”

For a day or two, while the cousins were a novelty, there was nothing but laughter and delight; but when Peter understood that their visit was of undetermined length, he began to regard their coming as an intrusion. Kay and Eustace were of the same age and naturally chose one another as playmates. Eustace was a fat, dull boy, prone to tears, with his mother’s black eyes and handsome hair, and his father’s coaxing ways. He was only four, but he had it in his power to make Peter, aged ten, wretched; for Kay developed a will of her own, and cared no more for Peterish stories now that she could have Eustace for her slave.