The T.D.3 brand, which still throbbed on his flank, was to him a mark of shame, and he knew only one way of washing that shame away—with the life-blood of the man who had put it there.
Slowly he raised his head and looked, remaining for a minute or two without any sign of life at all, not even the blinking of an eyelid. If everybody on the camp had been awake and had chanced to look that way, they would not have been able to distinguish the black-fellow's head from the scraggy bushes which grew here and there on the sand-hill. But all the men were asleep, and after Eagle had noted carefully where Mick was lying, he ducked down again behind the sand-hill and worked his way round till he was directly above the sleeping white man.
Just to one side of Mick's swag was a row of pack-saddles and bags, and leaning against one of the saddles was the axe which had been used to chop wood for the branding fire that afternoon. In fact Eagle had been the one who had chiefly used it. He was now going to use that axe again, but for a purpose more dear to his savage heart than cutting dead branches: he was going to cut the live body of a hated white man, and cut it again and again till no semblance of humanity remained.
He crept forward down the slope inch by inch. No snake in the grass is more silent and no fox is more stealthily alert than a black-fellow creeping on an enemy. The body is held tense for instant action, and the limbs move slowly and are put forward just a little bit at a time with that slinking movement which is known only to beasts of prey and to savage men. He reached the packs at last and lay down flat, not moving for fully five minutes. Gradually a black hand stretched out and a supple arm glided silently over the sand.
He grasped the axe. He did not drag it. Even that slight noise might spoil the night's work. He lifted and rose gently on his knees and one hand, and held the axe close to his body with the other.
Eagle is six yards from Mick. The critical time has come. No one can see him move, for he changes his position such a little and such a little more that he is in a new place without seeming to have left the old one. His actions are as imperceptible as those of water. Five yards. Four and a half. Four. Nearer and nearer. Three. Two. Surely he will strike now! He is on hands and knees. He waits for a moment or two and then straightens his body, pulls up one knee, and poises the axe behind him. He is like a spring. In another second the terrible tension will be relaxed and that supple black body will launch itself at the sleeping man. The axe will split the skull in two from forehead to chin, and not a sound will tell that the forces of the desert have claimed another invader as their victim.
The silence of the night is shattered by a shot. The poised axe falls to the ground. The crouching native springs into the air with a yell and puts a broken finger in his mouth. There is a mighty shout, and Mick hurls himself at his would-be murderer. A blow under the chin which would have felled a bull sends the black-fellow spinning to the ground several yards away. The white man follows like an incarnate fury and grapples at his enemy's throat. A terrible struggle ensues. Over and over they roll. Now the black is on top, now the white, but Mick never relaxes his hold on the man's throat. Gradually the native's struggles weaken. The white stockman digs deeper with his thumbs into the neck of the gasping man and waits the inevitable end. Finally all resistance ceases. The black body grows limp and the head falls back.
The green-hide ropes are lying near. Mick reaches for them and binds his captive more securely than any clean-skin cattle have ever been bound. Then he looks up and meets the startled gaze of Sax and Vaughan.