“Weapon,” suggested the railway man.
“No. You may call it rather an argument,” corrected Charles Gould, gently. “And that's how I've presented it to Mr. Holroyd.”
“And what did he say to it?” asked the engineer, with undisguised interest.
“He"—Charles Gould spoke after a slight pause—"he said something about holding on like grim death and putting our trust in God. I should imagine he must have been rather startled. But then"—pursued the Administrador of the San Tome mine—"but then, he is very far away, you know, and, as they say in this country, God is very high above.”
The engineer's appreciative laugh died away down the stairs, where the Madonna with the Child on her arm seemed to look after his shaking broad back from her shallow niche.
CHAPTER SIX
A profound stillness reigned in the Casa Gould. The master of the house, walking along the corredor, opened the door of his room, and saw his wife sitting in a big armchair—his own smoking armchair—thoughtful, contemplating her little shoes. And she did not raise her eyes when he walked in.
“Tired?” asked Charles Gould.
“A little,” said Mrs. Gould. Still without looking up, she added with feeling, “There is an awful sense of unreality about all this.”
Charles Gould, before the long table strewn with papers, on which lay a hunting crop and a pair of spurs, stood looking at his wife: “The heat and dust must have been awful this afternoon by the waterside,” he murmured, sympathetically. “The glare on the water must have been simply terrible.”