The Rover

by Conrad Joseph

One day it dawned upon him clearly that he could not stand this. It affected his power of thinking. "I shall begin to talk nonsense to people," he said to himself. "Hasn't there been once a poor devil who fell in love with a picture or a statue? He used to go and contemplate it. His misfortune cannot be compared with mine! Well, I will go to look at her as at a picture too; a picture as untouchable as if it had been under glass." And he went on a visit to Escampobar at the very first opportunity. He made up for himself a repellent face, he clung to Peyrol for society, out there on the bench, both with their arms folded and gazing into space. But whenever Arlette crossed his line of sight it was as if something had moved in his breast. Yet these visits made life just bearable; they enabled him to attend to his work without beginning to talk nonsense to people. He said to himself that he was strong enough to rise above temptation, that he would never overstep the line; but it had happened to him upstairs in his room at the farm, to weep tears of sheer tenderness while thinking of his fate. These tears would put out for a while the gnawing fire of his passion. He assumed austerity like an armour and in his prudence he, as a matter of fact, looked very seldom at Arlette for fear of being caught in the act.

The discovery that she had taken to wandering at night had upset him all the same, because that sort of thing was unaccountable. It gave him a shock which unsettled, not his resolution, but his fortitude. That morning he had allowed himself, while she was waiting on him, to be caught looking at her and then, losing his self-control, had given her that kiss on the hand. Directly he had done it he was appalled. He had overstepped the line. Under the circumstances this was an absolute moral disaster. The full consciousness of it came to him slowly. In fact this moment of fatal weakness was one of the reasons why he had let himself be sent off so unceremoniously by Peyrol to Toulon. Even while crossing over he thought the only thing was not to come back any more. Yet while battling with himself he went on with the execution of the plan. A bitter irony presided over his dual state. Before leaving the Admiral who had received him in full uniform in a room lighted by a single candle, he was suddenly moved to say: "I suppose if there is no other way I am authorized to go myself," and the Admiral had answered: "I didn't contemplate that, but if you are willing I don't see any objection. I would only advise you to go in uniform in the character of an officer entrusted with dispatches. No doubt in time the Government would arrange for your exchange. But bear in mind that it would be a long captivity, and you must understand it might affect your promotion."

At the foot of the grand staircase in the lighted hall of the official building Réal suddenly thought: "And now I must go back to Escampobar." Indeed he had to go to Escampobar because the false dispatches were there in the valise he had left behind. He couldn't go back to the Admiral and explain that he had lost them. They would look on him as an unutterable idiot or a man gone mad. While walking to the quay where the naval boat was waiting for him he said to himself. "This, in truth, is my last visit for years – perhaps for life."

Going back in the boat, notwithstanding that the breeze was very light, he would not let the men take to the oars. He didn't want to return before the women had gone to bed. He said to himself that the proper and honest thing to do was not to see Arlette again. He even managed to persuade himself that his uncontrolled impulse had had no meaning for that witless and unhappy creature. She had neither started nor exclaimed; she had made no sign. She had remained passive and then she had backed away and sat down quietly. He could not even remember that she had coloured at all. As to himself, he had enough self-control to rise from the table and go out without looking at her again. Neither did she make a sign. What could startle that body without mind? She had made nothing of it, he thought with self-contempt. "Body without mind! Body without mind!" he repeated with angry derision directed at himself. And all at once he thought: "No. It isn't that. All in her is mystery, seduction, enchantment. And then – what do I care for her mind!"

This thought wrung from him a faint groan so that the coxswain asked respectfully: "Are you in pain, lieutenant?" "It's nothing," he muttered and set his teeth with the desperation of a man under torture.

While talking with Peyrol outside the house, the words "I won't see her again," and "body without mind" rang through his head. By the time he had left Peyrol and walked up the stairs his endurance was absolutely at an end. All he wanted was to be alone. Going along the dark, passage he noticed that the door of Catherine's room was standing ajar. But that did not arrest his attention. He was approaching a state of insensibility. As he put his hand on the door handle of his room he said to himself. "It will soon be over!"

He was so tired out that he was almost unable to hold up his head, and on going in he didn't see Arlette, who stood against the wall on one side of the window, out of the moonlight and in the darkest corner of the room. He only became aware of somebody's presence in the room as she flitted past him with the faintest possible rustle, when he staggered back two paces and heard behind him the key being turned in the lock. If the whole house had fallen into ruins, bringing him to the ground, lie could not have been more overwhelmed and, in a manner, more utterly bereft of all his senses. The first that came back to him was the sense of touch when Arlette seized his hand. He regained his hearing next. She was whispering to him: "At last. At last! But you are careless. If it had been Scevola instead of me in this room you would have been dead now. I have seen him at work." He felt a significant pressure on his hand, but he couldn't see her properly yet, though he was aware of her nearness with every fibre of his body. "It wasn't yesterday though," she added in a low tone. Then suddenly: "Come to the window so that I may look at you."

A great square of moonlight lay on the floor. He obeyed the tug like a little child. She caught hold of his other hand as it hung by his side. He was rigid all over, without joints, and it did not seem to him that he was breathing. With her face a little below his she stared at him closely, whispering gently: "Eugène, Eugène," and suddenly the livid immobility of his face frightened her. "You say nothing. You look ill. What is the matter? Are you hurt?" She let go his insensitive hands and began to feel him all over for evidence of some injury. She even snatched off his hat and flung it away in her haste to discover that his head was unharmed; but finding no sign of bodily damage, she calmed down like a sensible, practical person. With her hands clasped round his neck she hung back a little. Her little even teeth gleamed, her black eyes, immensely profound, looked into his, not with a transport of passion or fear but with a sort of reposeful satisfaction, with a searching and appropriating expression. He came back to life with a low and reckless exclamation, felt horribly insecure at once as if he were standing on a lofty pinnacle above a noise as of breaking waves in his cars, in fear lest her fingers should part and she would fall off and be lost to him for ever. He flung his arms round her waist and hugged her close to his breast. In the great silence, in the bright moonlight falling through the window, they stood like that for a long, long time. He looked at her head resting on his shoulder. Her eyes were closed and the expression of her unsmiling face was that of a delightful dream, something infinitely ethereal, peaceful and, as it were, eternal. Its appeal pierced his heart with a pointed sweetness. "She is exquisite. It's a miracle," he thought with a snort of terror. "It's impossible."

She made a movement to disengage herself, and instinctively he resisted, pressing her closer to his breast. She yielded for a moment and then tried again. He let her go. She stood at arm's length, her hands on his shoulders, and her charm struck him suddenly as funny in the seriousness of expression as of a very capable, practical woman.

"All this is very well," she said in a businesslike undertone. "We will have to think how to get away from here. I don't mean now, this moment," she added, feeling his slight start. "Scevola is thirsting for your blood." She detached one hand to point a finger at the inner wall of the room, and lowered her voice. "He's there, you know. Don't trust Peyrol either. I was looking at you two out there. He has changed. I can trust him no longer." Her murmur vibrated. "He and Catherine behave strangely. I don't know what came to them. He doesn't talk to me. When I sit down near him he turns his shoulder to me. . . ."