The carriage moved slowly through the silent court-yard, which lay as gloomy under the clouds as though it had put on mourning for the dead. The chickens sat huddled together in a corner, their heads sadly drooping. Even the garrulous sparrows were silent, and through the linden tops came a low, rustling sound like greetings from another world.
Assisted by Richard's hand, Angela descended from the carriage. Her father thanked him for his sympathy, and expressed a wish to see him soon again in the family circle. As Richard glanced at Angela, he thought he read in her look a confirmation of all her father said. Siegwart's invitation was unnecessary. The young man was attracted more strongly to the proprietor's house as Angela's qualities revealed themselves to his astonished view more clearly. But Frank would not believe in the spotlessness and sublime dignity of a Christian maiden. He did not change his former judgment against the sex. His stubbornness still persisted in the opinion that Angela had her failings, which, if manifested, would obscure the external brilliancy of her appearance, but which remained hidden from view. Continued observation alone would, in Frank's opinion, succeed in disclosing the repulsive shadows.
Perhaps a proud determination to justify his former opinions lay less at the bottom of this obstinate tenacity than an unconscious stratagem. The young man anticipated that his respect for Angela would end in passionate affection as soon as she stood before him in the full, serene power of her beauty. He feared this power, and therefore combated her claims.
The professor had returned from his excursion into the mountains, and related what he had seen and heard. "Such excursions on historic grounds," said he, "are interesting and instructive to the historical inquirer. What historical sources hint at darkly become distinct, and many incredible things become clear and intelligible. Thus, I once read in an old chronicle that the monks during choral service sung with such enchanting sweetness that the empress and her ladies and knights who were present burst into tears. I smiled at this passage from the garrulous old chronicler, and thought that the fabulous spirit of the middle ages had descended into the pen of the good man. How often have I heard Mozart's divine music, how often have I been entranced by the stormy, thrilling fantasies of Beethoven! But I was never moved to tears, and I never saw even delicate ladies weep. Two days ago, I wandered alone among the ruins of the abbey of Hagenroth. I stood in the ruined church; above was the unclouded sky, and high round about me the naked walls. Here and there upon the walls hung patches of plaster, and these were painted. I examined the paintings and found them of remarkable purity and depth of sentiment. I examined the painted columns in the nave and choir, and found a beautiful harmony. I admired the excellence of the colors, on which it has snowed, rained, and frozen for three hundred and twenty years. I then examined the fallen columns, the heavy capitals, the beauty of the ornaments, and from these significant remnants my imagination built up the whole structure, and the church loomed up before me in all its simple grandeur and charming finish. I was forced to recognize and admire those artists who knew how to produce such wonderful and charming effects by such simple combinations. I thought on that passage of the chronicle, and I believe if, at that moment, the simple, pure chant of the monks had echoed through the basilica, I also would have been moved to tears. If the monks knew, thought I, how to captivate and charm by their architecture, why could they not do the same with music?"
"The stupid monks!" said Richard.
"If you had spoken those words at my side in that tone as I stood amid those ruins, they would have sounded like malicious envy from the mouth of the spirit of darkness."
"Your admiration for the monks is indeed a great curiosity," said Frank, smiling. "Sybel's congenial friend a eulogist of the monks! That indeed is as strange as a square circle."
"If I admire the splendor of heathenism, must I not also admire the fascinating, still depth of Christian childhood? In heathenism as well as in Christianity human genius accomplishes great and sublime things."
"That, in its whole extent, I must dispute," said Frank. "Where is the splendor and greatness of heathenism? The heathen built palaces of great magnificence, but crime stalked naked about in them. When the lord of the palace killed his slaves for his amusement, there was no law to condemn him. When lords and ladies at their epicurean feasts would step aside into small apartments, there by artificial means to empty their gorged stomachs, they did not offend either against heathen decency or its law of moderation. The marble columns proudly supported gilded arches; but when beneath those arches a human victim bled under the knife of the priests, this was in harmony with the genius of heathenism. The amphitheatres were immense halls, full of art and magnificence, in which a hundred thousand spectators could sit and behold with delight the lions and tigers devour slaves, or the gladiators slaughtering each other for their amusement. No. True greatness and real splendor I do not find in heathenism. Where heathen greatness is, there terrible darkness, profound error, and horrible customs abound. Christianity had to contend for three hundred years to destroy the abominations of heathenism."
"I will not dispute about it now," said Lutz. "You shall not destroy by your criticism the beautiful impressions of my excursion. I also met the Swedes on my tour. About thirty miles from here there is, among the hills, a valley. The peasants call the place the 'murder-chamber.' I suspected that the name might be associated with some historical event, and, on inquiry, I found such to be the case. In the Thirty Years' War, when Gustavus Adolphus, the pious hero, passed through the German provinces murdering and robbing, the inhabitants of the neighborhood fled with their wives, children, and property to this remote valley. They imagined themselves hid in these woods and defiles from the wandering Swedes, but they deceived themselves. Their hiding-place was discovered, and every living thing--Cows, calves, and oxen excepted--was put to the sword. 'The blood of the massacred,' said my informer, 'flowed down the valley like a brook; and for fifty years the neighborhood was desolate, because the Swedes had destroyed every thing.' Such masterpieces of Swedish blood-thirstiness are found in many places in Germany; and as the people celebrate them in song and story, it is certain that the pious hero has won for himself imperishable fame in the art of slaughter."