Caryl's, now at the height of its transient fame, was merely a quiet nook in the green country, with no more attractions than a hundred others; but the old piazza was paced by the little high-heeled shoes of fashionable women, the uneven floors swept by their trailing skirts. French maids and little bare-legged children sported in the old-fashioned garden, and young men made up their shooting parties in the bare office, and danced in the evening—yes, really danced, not leaving it superciliously to the boys—in the rackety bowling-alley, which, refloored, did duty as a ball-room. There was a certain woody, uncloying flavor about Caryl's (so it was asserted), which could not exist amid the gilding of Saratoga. All this Miss Vanhorn related to her niece on the day of their arrival. "I do not expect you to understand it," she said; "but pray make no comment; ask no question. Accept everything, and then you will pass."

Aunt and niece had spent a few days in New York, en route. The old lady was eccentric about her own attire; she knew that she could afford to be eccentric. But for her niece she purchased a sufficient although simple supply of summer costumes, so that the young girl made her appearance among the others without attracting especial attention. Helen was not there; no one identified Miss Douglas as the rara avis of her fantastic narrations. And there was no surface sparkle about Anne, none of the usual girlish wish to attract attention, which makes the eyes brighten, the color rise, and the breath quicken when entering a new circle.

That old woman of the world, Katharine Vanhorn, took no step to attract notice to her niece. She knew that Anne's beauty was of the kind that could afford to wait; people would discover it for themselves. Anne remained, therefore, quietly by her side through several days, while she, not unwilling at heart to have so fresh a listener, talked on and instructed her. Miss Vanhorn was not naturally brilliant, but she was one of those society women who, in the course of years of fashionable life, have selected and retained for their own use excellent bits of phrasing not original with themselves, idiomatic epithets, a way of neatly describing a person in a word or two as though you had ticketed him, until the listener really takes for brilliancy what is no more than a thread-and-needle shop of other people's wares.

"Any man," she said, as they sat in the transformed bowling-alley—"any man, no matter how insignificant and unattractive, can be made to believe that any woman, no matter how beautiful or brilliant, is in love with him, at the expense of two looks and one sigh."

"But who cares to make him believe?" said Anne, with the unaffected, cheerful indifference which belonged to her, and which had already quieted Miss Vanhorn's fears as to any awkward self-consciousness.

"Most women."

"Why?"

"To swell their trains," replied the old woman. "Isabel Varce, over there in blue, and Rachel Bannert, the one in black, care for nothing else."

"Mrs. Bannert is very ugly," said Anne, with the calm certainty of girlhood.

"Oh, is she?" said Miss Vanhorn, laughing shortly. "You will change your mind, my Phyllis; you will learn that a dark skin and half-open eyes are superb."