"Manners—not what, but how. Manners are happy ways of doing things; each once a stroke of genius or of love—now repeated and hardened into usage. Manners require time; nothing is more vulgar than haste."—Emerson.
Madame Moreau was a Frenchwoman, small and old, with a thin shrewd face and large features. She wore a plain black satin gown, the narrow skirt gathered in the old-fashioned style, and falling straight to the floor; the waist of the gown, fastened behind, was in front plaited into a long rounded point. Broad ruffles of fine lace shielded her throat and hands, and her cap, garnished with violet velvet, was trimmed with the same delicate fabric. She was never a handsome woman even in youth, and she was now seventy-five years of age; yet she was charming.
She rose, kissed the young girl lightly on each cheek, and said a few words of welcome. Her manner was affectionate, but impersonal. She never took fancies; but neither did she take dislikes. That her young ladies were all charming young persons was an axiom never allowed to be brought into question; that they were simply and gracefully feminine was with equal firmness established. Other schools of modern and American origin might make a feature of public examinations, with questions by bearded professors from boys' colleges; but the establishment of Madame Moreau knew nothing of such innovations. The Frenchwoman's idea was not a bad one; good or bad, it was inflexible. She was a woman of marked character, and may be said to have accomplished much good in a mannerless generation and land. Thoroughly French, she was respected and loved by all her American scholars; and it will be long ere her name and memory fade away.
Miss Vanhorn did not come to see her niece until a week had passed. Anne had been assigned to the lowest French class among the children, had taken her first singing lesson from one Italian, fat, rosy, and smiling, and her first Italian lesson from another, lean, old, and soiled, had learned to answer questions in the Moreau French, and to talk a little, as well as to comprehend the fact that her clothes were remarkable, and that she herself was considered an oddity, when one morning Tante sent word that she was to come down to the drawing-room to see a visitor.
The visitor was an old woman with black eyes, a black wig, shining false teeth, a Roman nose, and a high color (which was, however, natural), and she was talking to Tante, who, with her own soft gray hair, and teeth which if false did not appear so, looked charmingly real beside her. Miss Vanhorn was short and stout; she was muffled in an India shawl, and upon her hands were a pair of cream-colored kid gloves much too large for her, so that when she fumbled, as she did every few moments, in an embroidered bag for aromatic seeds coated with sugar, she had much difficulty in finding them, owing to the empty wrinkled ends of the glove fingers. She lifted a gold-rimmed eye-glass to her eyes as Anne entered, and coolly inspected her.
"Dear me! dear me!" she said. Then, in execrable French, "What can be done with such a young savage as this?"
"How do you do, aunt?" said Anne, using the conventional words with a slight tremor in her voice. This was the woman who had brought up her mother—her dear, unremembered mother.
"Grandaunt," said Miss Vanhorn, tartly. "Sit down; I can not bear to have people standing in front of me. How old are you?"
"I am seventeen, grandaunt."
