East Angels: A Novel

by Constance Fenimore Woolson

"You will find, I think, very little that is operatic among us," said Kirby, a trace of sombreness making itself felt for the first time through the courteous optimism of his tone. Truly there had been little that was operatic in their life at the South for some years past.

"I don't know," said Winthrop. "Isn't that rather an operatic personage who has just stopped Miss Thorne? The Tenor himself, I should say."

The spectacles were safely in their case, and back in the Doctor's pocket. But he now made haste to take them out a second time, he knew of no Tenors in Gracias. When he had adjusted them, "It's only Manuel Ruiz," he said, with both relief and vexation in his tone. He was relieved that it was only Manuel, but vexed that he should have been led, even for a moment, to suppose that it might be some one else, some one who was objectionable (as though objectionable persons could penetrate into their society!); and he asked himself inwardly what the deuce this northerner meant by calling their arrangement of their land "operatic," and their young gentlemen "Tenors." "Manuel Ruiz is the son of an old friend of ours; their place is on Patricio, opposite," he said, frigidly. "The Ruiz family were almost as well known here in the old Spanish days as the Dueros."

He had no time for more, for, as Garda had stopped, they now came up with the little party in front.

Manuel Ruiz was older than Torres. Manuel was twenty-one. He was a tall, graceful youth, with a mobile face, eloquent dark eyes, and a manner adorned with much gesture and animation. He undoubtedly cherished an excellent opinion of Manuel Ruiz; but undoubtedly also there was good ground for that opinion, Manuel Ruiz being a remarkably handsome young man. That Winthrop should have called him operatic was perhaps inevitable. He wore a short black cloak, an end of which was tossed over one shoulder after the approved manner of the operatic young gentleman when about to begin, under the balcony of his lady-love, a serenade; on his head was a picturesque sombrero, and he carried, or rather flourished, a slender cane, which might have been a rapier; these properties, together with his meridional eyes, his gestures, and the slight tendency to attitude visible in his graceful movements, made him much like the ideal young Tenor of the Italian stage, as he comes down to the foot-lights to sing in deepest confidence, to the sympathetic audience, of his loves and his woes.

That the ideal young Tenor has often encountered wide-spreading admiration, no one would venture to deny. Still, there have been, now and then, those among his audiences who have not altogether shared this feeling. They have generally been men; not infrequently they have been men of a somewhat lighter complexion, with visual orbs paler, perhaps, and not so expressive; a grace in attitude less evident. Evert Winthrop cared nothing for Tenors, real or imitative. But he was a man made with more pretensions to strength than to sinuousness; he had no gestures; his complexion, where not bronzed by exposure, was fair; his eyes were light. They were gray eyes, with, for the most part, a calm expression. But they easily became keen, and they could, upon occasion, become stern. He opposed a short, thick, brown beard to Manuel's pointed mustache, and thick, straight hair, closely cut, of the true American brown, to the little luxuriant rings, blue-black in color, short also, but curling in spite of shortness, which the breeze stirred slightly on the head of the handsome young Floridian as he stood, sombrero in hand, beside Garda Thorne.

Manuel was not another Torres; he was an American, and spoke English perfectly. Upon this occasion, after his introduction, he offered to the northerner with courtesy several well-turned sentences as the beginning of an acquaintance, and then they all walked on together up the old road.

"I believe we have now finished our little tour, Miss Garda, have we not?" said the Doctor, in a cheerful voice. Though very tired, he was walking onward with his usual trim step, his toes well turned out, his shoulders thrown back, his head erect, but having no perception of the fact (plump men never have) that, as seen from behind, his round person appeared to be projected forward into space as he walked with something of an overweight in front, and his little legs and feet to have been set on rather too far back to balance this weight properly, so that there seemed to be always some slight danger of an overthrow.

"Oh no," answered Garda; "I have promised to take Mr. Winthrop over the entire place, and we have still the orange walk, the rose garden, the edge of the swamp, the wild cattle, and the crane."

"I doubt whether Mr. Wintup will find much to amuse him in the wild cattle," remarked Manuel, laughing.