Some minutes later, Margaret, missing the soft motion of the fan, looked up; she smiled when she saw the sleeping figure. It was a warm day, Garda had changed her thin black dress for a white one; through the lace, of which it was principally composed, her round arms gleamed. She had dropped her fan; her head, with the thick braids of hair wound closely about it, drooped to one side like a flower.

Margaret had smiled to see how easily, as a child does, she had glided into unconsciousness. But the next moment the smile was followed by a heavy sigh. It was a sigh of envy, the page of figures grew dim, then faded from before her eyes, she dropped her head upon her clasped hands in the abandonment of the fresh, the ever-fresh realization of her own dreariness. This realization was never long absent; she might hope that she had forgotten it, or that it had forgotten her; but it always came back.

It happened that at this instant Garda woke; and saw the movement. She came swiftly across to her friend. "Oh, I knew you were unhappy, though you never, never say so! But now I have caught you, I have seen it. And oh, Margaret, you are so changed!—you are the loveliest woman in the world still,—but you have grown so thin; look at your hands." And she held up one of Margaret's hands against the light to show its transparency.

But Margaret drew her hand away. "If I'm thin, I am only following out my privilege as an American woman," she answered, lightly. "Don't you know that we pride ourselves upon remaining slender?"

"Slender—yes; that is what you were. Your arms were always slender, and yet round. But now—" She pushed up Margaret's sleeve. "See your poor wrists. Oh, Margaret, I do believe that before long even hollows in your pretty neck will begin to show!"

"How can they, if I always wear high dresses?" said Margaret, smiling.

She rose as she spoke. But if her motive was to escape from further scrutiny, she was not successful; Garda took hold of her and made her sit down on a couch near one of the windows, and standing in front of her to keep her there, she continued her inspection. "Yes, you are thinner. There are little fine lines going down your face. And your face itself has grown narrow. That makes your eyes too large, I don't like your eyes now; they are too big and blue."

"They were always blue, weren't they?"

"Now they are the kind of blue that you see in the eyes of golden-haired children that have got to die," pursued Garda, making one of her curiously accurate comparisons.

Suddenly she held Margaret's hands down with her own left hand, and with her right pushed back swiftly the dark hair; it was the hair that lay low over the forehead; for Lanse's taste was still consulted, his wife's dusky locks rippled softly above her blue eyes, having now certainly nothing of the plain appearance to which he had objected.