No one disputed this point. It was lax.
"Doesn't he look like a tree?" murmured Garda to Margaret, indicating by a glance the Rev. Mr. Moore, as he stood at a little distance, gazing at the sea—"a tall slim one, you know, that hasn't many leaves; his arms are like the branches, and his fingers like the twigs; and his voice is so innocent and—and vegetable."
Margaret shook her head.
"You don't like it?" said the girl; "you think I am disrespectful? I am not disrespectful at all, I adore Mr. Moore. But you must acknowledge that he's a mild herby sort of man; he's like lettuce—before it's dressed. All the same, you know, he's an angel."
Dr. Kirby meanwhile was entertaining Betty and Katrina, now seated together on the out-of-door sofa he had made. He was arranging at the same time a seat for himself near them by piling together with careful adjustment the scattered fragments of drift-wood which he had found in the vicinity, in a sort of cairn; his intention was to crown this cairn, when finished, with one of the boat cushions, which he had reserved for the purpose. "No," he said, pursuing his theme and the dovetailing of the drift-wood with energy, "I cannot say that I admire these frivolous new fashions which have crept into literature. The other day, happening to turn over the pages of one of these modern novels, I came upon a scene in which the hero and heroine are supposed to be shaken, tortured by the violence of their emotions, stirred to their utmost depths; and yet the author takes that opportunity to leave them there, leave them in the midst of their agonies—and the reader's as well—to remark that a butterfly flew in through the open window and hovered for a moment over their heads; now he poised here, now he poised there, now he did this, and now that, and so on through a quarter of a page. I ask you—what if he did?" (Here he finished his cairn, and sat down to try it.) "Who cares? Why should the whole action of the tale pause, and at such a critical moment, in order that the flight and movements of an insignificant insect should be minutely chronicled?"
"But the butterfly," said the Rev. Mr. Moore, who had drawn near, "can hardly, I think, be described as an 'insignificant insect.'"
"Have you read these modern novels?" demanded the Doctor, facing him from his cairn.
"Certainly," replied Mr. Moore; "I am familiar with 'Bracebridge Hall,' 'Swallow Barn,' and several other works of fiction of that type." And he stood there looking at the Doctor with the peculiar mild obstinacy which belongs to light-blue eyes, whose under-lids come up high at the outer corners.
"But, Doctor, you are attacking there one of our most cherished modern novelties," said Winthrop, who had now joined them, "namely, the new copartnership between Nature and Literature. Nature is now a very literary personage and a butterfly can mean a great deal."
"Nature has nothing to do with literature, I mean the literature we call polite," Dr. Kirby protested, still fierily (while Mrs. Rutherford admired his ardor). But the clergyman had nodded his head in approval, a butterfly could certainly mean a great deal; he himself had long been of the opinion that they possessed reasoning powers—he had so seldom been able to capture one.