For the Major: A Novelette

by Constance Fenimore Woolson

This lady had felt from the beginning a solemn curiosity about Dupont, about all he said and did. But this was quite natural, the village thought, when one considered the interesting proximity of the West India Islands (where the musician used to live) to the glorious Mexican field of her departed husband's fame. But, in return for her interest, Dupont had irreverently made a caricature of the august widow, depicting her as a mermaid, in her own duck-pond, surrounded by all her ducks, clad in Mexican costumes; and then Far Edgerley society, which had been obliged to listen for eight long years to many details about these birds of Chapultepec—Far Edgerley society was corrupt enough to laugh.

But this incident belonged to Dupont's first visit; and, like other incidents of his first visit, could be deemed amusing or impertinent according to one's view of him. The new knowledge which had come to Frederick Owen was something very different—different and grave: Sara Carroll had changed. She now felt an interest in this stranger, and she was showing it.

Was this the influence of Madam Carroll? But Owen could not long think this. Miss Carroll was not a person to be easily influenced or led. She was not yielding; whatever course she might follow, one could at least be sure that, good or bad, it was her own. Her interest showed itself guardedly; so much so that no one had observed it. The clergyman felt sure that he was the only discoverer, and his own discovery he owed to a rare chance. He was coming down Chillawassee on horseback, and in bending to gather a flower from a bush, as he passed, he had lost a small note-book from the breast pocket of his coat; dismounting to look for it, he found that it was lying on a ledge not far below the road, and that he could get it by a little climbing. He made his way down to the ledge, and secured the book. Then he saw, a little farther down, one of the isolated rocks called chimneys, and was seized with the fancy to have a look from its top. He obeyed this fancy. And from its top he found himself looking directly down into a small field on the edge of Carroll Farms; here, standing together under a tree, were two figures which he instantly recognized—they were the figures of Sara Carroll and Dupont. This field was separated from the road by a hedge so high that no one could look over it, and from the other fields and the orchard of the Farms by a thicket of chincapins. The two were therefore well hidden; they were safe from discovery save for the remote chance that some one had climbed the chimney above them. And this one remote chance had fallen to the lot of Frederick Owen.

He was much surprised, uncertain, unhappy. Shielded by the tall bushes growing on top of the chimney, he had stood for several minutes looking down upon the two. Then he left the rock, went back to his horse, and rode home.

His uneasiness, after spoiling his night's sleep, took him to the Farms the next afternoon. Madam Carroll received him in the drawing-room. She offered an excuse for Miss Carroll; it seemed that she had a headache. But on his way out the clergyman distinctly saw the shadow of a man thrown across the dining-room floor by the bright sunshine shining through the western windows. It might not be the shadow of Dupont, of course; he was ashamed of himself for his quick suspicion. It might be that of some other visitor, or of one of their poor pensioners, or of Caleb Inches. But no masculine visitor came to the Farms at this hour save, now and then, the junior warden, whose small figure never cast shadow like that; and all the pensioners of whom he had knowledge were women. He decided that, of course, it was Inches; and then, on his way down Carroll Lane, he met Inches coming up. Still, it was but a supposition. He forced himself to cast it aside.

Chance, however, seemed determined to disturb him, for she soon threw in his way other knowledge, and this not a shadow, but reality. He caught a glimpse of Sara Carroll turning into a little-used path, which led up the mountain to a fir-wood. His own road (he was on horseback, as usual, on his way to a mission station) led him by Walley's Cove, and here, fifteen minutes later, he distinctly saw the figure of Louis Dupont entering the same wood at its upper edge, and by the path which would bring him directly to her, the same path she herself was following.

Owen's trouble now took complete possession of him; up to this time he had fought it off. He felt that he ought to do something, to act. Dupont was a dissipated, erratic adventurer, whose history no one knew. Should he let this proud, fastidious, delicate-minded girl fall into such a vulgar trap as this? Before his eyes, within reach of his hand? Yet there it was again—if she were in reality as proud and fastidious as he had supposed her to be (and he had thought her the proudest girl he had ever known), how could she, of her own accord, endure Louis Dupont? At one time she had not endured him. There had been a memorable moment when the expression of her eyes (how well he remembered it!) had been unmistakable; the moment when he had met her, coming from the drawing-room, with that alluring voice floating forth behind her. What could have changed her—changed her so completely as this?

The one answer presented itself with pitiless promptness: Dupont had changed her. He had accomplished it himself, with the aid of a handsome face, fine eyes, and an audacity which stopped at nothing; for the clergyman had always felt sure that the audacity was there, although it had not, in Far Edgerley, at least, been much exerted. This was so acutely disagreeable to the man who was thinking of it, that there was in his own eyes (handsome ones, too, in their way—a blue way) angry moisture as he went over its possibilities. He clinched his hand and rode on; it would have fared hardly with the musician had he crossed his path just then. Owen was a clergyman. But he had been a man, and a free one, first; he had not gone from college and seminary directly into the ministry. He was thirty-one years old, and he had taken orders but two years before; the preceding interval had not been spent in country villages.

With all this surging feeling, however, he had as yet nothing definite against this stranger—this stranger whose bad manners had been protected by his "genius," and whose bad aspects had not been perceived by the innocent little town. By nothing definite he meant nothing that he could use. But now Chance, having given him three heavy burdens of knowledge to carry (he had carried them as well as he could, with a heavy heart as well)—the knowledge of those three meetings which, if not clandestine, were at least concealed—this same Chance relented so far as to present him with other knowledge—knowledge of a different hue. She put in his possession some recent facts concerning the musician which were proof, and proof positive, against him.

But what could Owen do with his facts? If he had not known what he knew of Sara Carroll's interest in him, he could have proceeded against the fellow at once; it needed but the statement which he was now able to make to close every door in Far Edgerley against him, for the little town, though not strait-laced, had a standard of morals as pure as its own air. But if he should do this, might not Dupont take his revenge, or, less than that, amuse himself, as he would call it, by letting the village public learn of his intimate relations with the Farms, or rather with Miss Carroll? Madam Carroll's liking for him, or, rather, for his songs, was known and comprehended. But Miss Carroll's liking was not known; and it had, too, an aspect—and here Frederick Owen felt that he would rather go on forever in silence than have that aspect discussed. Yet something he must do. He decided to go to Major Carroll himself. Infirm as was his health, and secluded as was his life, he was the natural protector of these two ladies, and would wish to know, ought to know, everything that concerned them. He went to the Farms.