"Are you tired of the bed? I can make you comfortable in that chair by the fire, then," Dolly answered. "Here are stockings. And shoes, too—Portia's. But I'm afraid they will drop off!" Kneeling down, she drew on the stockings, and then Ruth, rising, stepped into the shoes. Dolly went to spread a blanket over the chair, and while she was thus engaged Ruth, seeing a homespun dress of Portia's hanging from a peg, took it and put it on over her night-gown.
"You need not have done that," commented Dolly; "here is a second blanket to wrap you up in."
But Ruth was going towards the door. Dolly hurried after her and caught her arm. "You are not going down? What for?"
"I don't know," answered Ruth, vaguely. Then, with quickened breath, she added, "Yes, I do know; I am going to tell—tell what I did." She was panting a little; Dolly could hear the sound.
The elder sister held her tightly. But Ruth did not struggle, she stood passive. "What are you going to tell?" Dolly asked, sternly. "What is there to tell? You took a ride; you walked in the forest; you stood in a thicket; you came back. That is all. No one saw you; no one on earth knows anything more. And there was nothing more, save in thought. Your thoughts are your own affair, you are not required to tell them; it would be a strange world indeed if we had to tell all our thoughts! In your acts as it has turned out, there has been nothing wrong. Leave it so, then. Let it rest."
Ruth did not reply. But in her clouded eyes Dolly thought she read refusal. "Ruth, let me judge for you," she pleaded. "Could I possibly advise you to do anything that was not your best course? Your very best? If you force an account of your inward feelings upon your husband—who does not ask for them or want them—you destroy his happiness, you make him wretched. Don't you care for that? If I have never liked him—and I may as well confess that I never have—at least I know his devotion to you. If you tell, therefore, tell so unnecessarily, it will be a great cruelty. Think of all he did for mother! Of all he did and tried to do for Jared!"
Two tears welled up in Ruth's eyes. But she did not speak.
"And then there is another thing," Dolly went on. "If he knows the truth, all the good in him will be changed to bitterness. And, besides, he will be very harsh to you, Ruth; he will be brutal; and he will even think that it is right that he should be so. For those are the ideas of—of some people about wives who go wrong." To the woman who had married Horace Chase Dolly could say no more. But if she had spoken out all that was in her heart, her phrase would have been, "For those are the ideas of common people about wives who go wrong." (For to Dolly, Horace Chase's commonness—or what seemed to her commonness—had always been the insupportable thing.) But what she was saying now about her dread of his possible brutality was not in the least a fiction invented to influence Ruth; she had in reality the greatest possible dread of it.
Ruth, however, seemed either to have no fears at all, or else she was all fear—fear that had reached the stage of torpor.
"Think of this, too," urged Dolly, finally. "If you tell, have you the slightest idea that your husband will be able to keep himself from breaking off instantly all relations with the Willoughbys—with the uncles as well as the nephew? And do you want Walter Willoughby to suspect—as he certainly would suspect—the cause? Do you wish this young fellow who has merely played with you, who from the beginning has amused himself at your expense, and, no doubt, laughed at you over and over again—do you wish him to have a fresh joke at the sight of your imbittered husband's jealousy? Is he to tell the whole story to Marion Barclay? And have her laughing also at your hopeless passion for him?—at the way you have thrown yourself at his head? If you are silent, not only will your husband be saved from all his wretchedness, but Walter Willoughby will have no story to tell!"