Miss Graves: "Live-oak groves draped in long moss are much more imposing."
Miss Elaine: "It is so jolly, you know, to sit under the trees with one's embroidery, and have some one read aloud—something sweet, like Adelaide Procter."
Margaret: "Sitting here is like being in a great cathedral in Lent."
Lloyd: "Shall we go quietly on, Miss Severin?"
And Lloyd, I think, had the best of it. I mean that he knew how to derive the most pleasure from the groves. This English use of "quietly," by-the-way, always amused Margaret and myself greatly. Lloyd and Verney were constantly suggesting that we should go here or there "quietly," as though otherwise we should be likely to go with banners, trumpets, and drums. The longer one remains in Mentone, the stronger grows attachment to the olive groves. But they do not seem fit places for the young, whose gay voices resound through their gray aisles; neither are they for the old, who need the cheer and warmth of the sun. But they are for the middle-aged, those who are beyond the joys and have not yet reached the peace of life, the poor, unremembered, hard-worked middle-aged. The olives of Mentone are small, and used only for making oil. We saw them gathered: men were beating the boughs with long poles, while old women and children collected the dark purple berries and placed them in sacks, which the patient donkeys bore to the mill. The oil mills are venerable and picturesque little buildings of stone, placed in the ravines where there is a stream of water. We visited one on the side hill; its only light came from the open door, and its interior made a picture which Gerard Douw might well have painted. The great oil jars, the old hearth and oven, the earthen jugs, hanging lamps with floating wicks, and the figures of the men moving about, made a picturesque scene. The fruit was first crushed by stone rollers, the wheel being turned by water-power; the pulp, saturated with warm water, was then placed in flat, round rope baskets, which were piled one upon the other, and the whole subjected to strong pressure, which caused the clear yellow oil to exude through the meshes of the baskets, and flow down into the little reservoir below.
"Our manners would become charmingly suave if we lived here long," said Inness. "It would be impossible to resist the influence of so much oil."
The lemon terraces were as unlike the olive groves as a gay love song is unlike a Gregorian chant. The trees rose brightly and youthfully from the grassy hill-side steps, each leaf shining as though it was varnished, and the yellow globes of fruit gleaming like so much imprisoned sunshine. Here was no shade, no weird grayness, but everything was either vivid gold or vivid green. Janet said this.
"I am the latter, I think," said Baker, "to be caught here again on these terraces. I don't know what your experience has been, but for my part I detest them; I have been lost here again and again. You get into them and you think it all very easy, and you keep going on and on. You climb hopefully from one to the next by those narrow sidling little stone steps, only to find it the exact counterpart of the one you have left, with still another beyond. And you keep on plunging up and up until you are worn out. At last you meet a man, and you ask him something or other beginning with 'Purtorn'—"
"What in the world do you mean?" said Janet, breaking into laughter.
"I am sure I don't know; but that is what you all say."