But Verney now produced a second sketch; "another study of the same subject," he called it. This was a picture of the same number of men, clad in clumsy armor, with rough, coarse faces, attacking a pass and compelling two miserable frightened peasants with loaded mules to yield up what they had, while, from a rude tower above, like our mediæval T. G., two or three swarthy women with children were watching the scene. The wrappings of the two sketches being now removed, we saw that one was labelled, "The Lascaris—her Idea of them;" and the other, "The Lascaris—as they were."
We all laughed. But I think Janet was not quite pleased. After the next change Verney found himself, by some mysterious chance, left to occupy the seat beside Miss Elaine, while Baker had his former place.
The Nervia, a clear rapid little snow-formed river, ran briskly down over its pebbles towards the sea. Our road followed the western bank, and before long brought us to Campo Rosso, a little village with a picturesque belfry, a church whose façade was decorated with old frescos, two marble sirens spouting water, and numberless "bits" in the way of vistas through narrow arched passages and crooked streets, which are the delight of artists. But Campo Rosso was not our destination, and entering the carriage again, we went onward through an olive wood whose broad terraces extended above, below, and on all sides as far as eye could reach. When we had stopped wondering over its endlessness, and had grown accustomed to the gray light, suddenly we came out under the open sky again, with Dolce Acqua before us, its castle above, its church tower below, and, far beyond, our first view of snow-capped peaks rising high and silvery against the deep blue sky. Inness and Baker threw up their hats and saluted the snow with an American hurrah. "What with those white peaks and this Italian sky, I feel like the Merry Swiss Boy and the Marble Faun rolled into one," said Baker.
We drove up to the Locanda Desiderio, or "Desired Inn," as Inness translated it. It was now noon, and in the brick-floored apartment below a number of peasants were eating sour bread and drinking wine. But the host, a handsome young Italian, hastened to show us an upper chamber, where, with the warm sunshine flooding through the open windows across the bare floor, we spread our luncheon on a table covered with coarse but snowy homespun, and decked with remarkable plates in brilliant hues and still more brilliant designs. The luncheon was accompanied by several bottles of "the good little white wine" of the neighborhood—an accompaniment we had learned to appreciate.
Upon the chimney-piece of a room adjoining ours, whose door stood open, there was an old brass lamp. In shape it was not unlike a high candlestick crowned with an oval reservoir for oil, which had three little curving tubes for wicks, and an upright handle above ending in a ring; it was about a foot and a half high, and from it hung three brass chains holding a brass lamp-scissors and little brass extinguishers. Mrs. Clary, Mrs. Trescott, Miss Graves, Miss Elaine, and myself all admired this lamp as we strolled about the rooms after luncheon before starting for the castle. It happened that Janet was not there; she had gone, by an unusual chance, with Lloyd, to look at some cinque-cento frescos in an old church somewhere, and was, I have no doubt, deeply interested in them. When she returned she too spied the old lamp, and admired it. "I wish I had it for my own room at home," she exclaimed. "I feel sure it is Aladdin's."
"Come, come, Janet," called Mrs. Trescott from below. "The castle waits."
"It has waited some time already," said Inness—"a matter of six or seven centuries, I believe."
"And looks as though it would wait six or seven more," I said, as we stood on the arched bridge admiring the massive walls above.