“But the rhymes, Sir?”
The Professor had not noticed the rhymes; poetry should be above rhymes altogether, in his opinion.
The pleasant days passed, we sailed up and down the Matanzas, walked on the sea-wall, and sat in the little overhanging balcony, which, like all others in St. Augustine, was hung up on the side of the house like a cupboard without any support from below. Letters from home meanwhile brought tidings of snow and ice and storm, disasters by land and by sea. A lady friend, a new arrival, had visited the Ancient City forty years before, in the days of the ancien régime. “It is much changed,” she said. “These modern houses springing up every where have altered the whole aspect of the town. I am glad I came back while there is still something left of the old time. Another five years and the last old wall will be torn down for a horrible paling fence. Forty years ago the town was largely Spanish or Moorish in its architecture. The houses were all built of coquina, with a blank wall toward the north, galleries running around a court-yard behind, where were flowers, vines, and a central fountain. The halls, with their stone arches, opened out into this greenery without doors of any kind, tropical fashion. Those were the proud days of St. Augustine; the old families reigned with undisputed sway; the slaves were well treated, hospitality was boundless, and the intermixture of Spanish and Italian blood showed itself in the dark eyes that glanced over the balconies as the stranger passed below. It has all vanished now. The war effaced the last fading hue of the traditional grandeur, and broke down the barriers between the haughty little city and the outside world. The old houses have been modernized, and many of them have given place to new and, to my ideas, thoroughly commonplace dwellings. There is one left, however, the very mansion where I was so charmingly entertained forty years ago; its open arches remain just as they were, and the old wall still surrounds the garden. Up stairs is the large parlor where we had our gay little parties, with wines, and those delicious curled-up cakes, all stamped with figures, thin as a wafer, crisp and brittle, which seemed to be peculiar to St. Augustine.”
“Did you know there was a native artist here?” said John, calling up one morning as he sat on the balcony, Sara and myself endeavoring to write duty letters.
“Painter or sculptor?” I inquired, pen in hand, pausing over an elaborate description of a sunset with which I was favoring a soul-to-soul correspondent. “Let me see: standing on the glacis with the look-out tower outlined against—”
“Sculptor,” answered John. “His studio is on Charlotte Street not far from here. Let us walk down and see him.”
“Look-out tower outlined against the golden after-glow. Is it worth going to see?”
“Indeed it is. There is a fine design—a lion carved in stone, and also a full-length figure of Henry Clay walking in the gardens of Ashland; and what is more, these statues are on top of the house outlined against—”
“The golden after-glow,” I suggested.
“Certainly,” said John. “And inside you will find rare antique vases, Egyptian crocodiles, Grecian caskets, and other remarkable works, all executed in stone.”