"For shame!" said Fanny.
But Dallas continued his observations. "Do look across," he said, after a while; "it's too funny. The French woman evidently thinks that Rod should rise, or else that Eva should be seated also. But her pantomime passes unheeded; neither Eva nor the backwoodsman is conscious of her existence."
"Eva is so fond of standing," explained Fanny. "I often say to her, 'Do sit down, child; it tires me to see you.' But Eva is never tired."
Pierre, who had a spray of orange buds in his hand, pressed it to his lips, and waved it imperceptibly towards his betrothed. "In everything she is perfect—perfect," he murmured to the pretty mother.
"Rod doesn't in the least mean to be rude," began Bartholomew.
"Oh, don't explain that importation of yours at this late day," interposed Dallas; "it isn't necessary. He is accustomed to sitting on fences probably; he belongs to the era of the singing-school."
This made Fanny angry. For as to singing-schools, there had been a time—a remote time long ago—and Dallas knew it. She had smiled in answer to Pierre's murmured rapture; she now took his arm. To punish Dallas she turned her steps—on her plump little feet in their delicate kid boots—towards the still seated Rod, with the intention of asking him (for the fifth time) to dinner. This would not only exasperate Dallas, but it would please Bartholomew at the same stroke. Two birds, etc.
When they came up to the distant three, Mademoiselle glanced at Mrs. Churchill anxiously. But in the presence of the mistress of the villa, Rod did at last lift his long length from the wall.
This seemed, however, to be because he supposed they were about to leave the grove. "Is the walk over?" he said.
Pierre looked at Eva adoringly. He gave her the spray of orange buds.