The community moral code of the frontier was brief and rigorous. What it lacked of the “whereas” and “inasmuch” of legal ink it made up in sound hickory. In fact, when we review the activities of this solid yet elastic wood in the moral, social, and economic phases of Back Country life, we are moved to wonder if the pioneers would have been the same race of men had they been nurtured beneath a less strenuous and adaptable vegetation! The hickory gave the frontiersman wood for all implements and furnishings where the demand was equally for lightness, strength, and elasticity. It provided his straight logs for building, his block mortars—hollowed by fire and stone—for corn-grinding, his solid plain furniture, his axles, rifle butts, ax handles, and so forth. It supplied his magic wand for the searching out of iniquity in the junior members of his household, and his most cogent argument, as a citizen, in convincing the slothful, the blasphemous, or the dishonest adult whose errors disturbed communal harmony. Its nuts fed his hogs. Before he raised stock, the unripe hickory nuts, crushed for their white liquid, supplied him with butter for his corn bread and helped out his store of bear's fat. Both the name and the knowledge of the uses of this tree came to the earliest pioneers through contact with the red man, whose hunting bow and fishing spear and the hobbles for his horses were fashioned of the “pohickory” tree. The Indian women first made pohickory butter, and the wise old men of the Cherokee towns, so we are told, first applied the pohickory rod to the vanity of youth!
A glance at the interior of a log cabin in the Back Country of Virginia or North Carolina would show, in primitive design, what is, perhaps, after all the perfect home—a place where the personal life and the work life are united and where nothing futile finds space. Every object in the cabin was practical and had been made by hand on the spot to answer a need. Besides the chairs hewn from hickory blocks, there were others made of slabs set on three legs. A large slab or two with four legs served as a movable table; the permanent table was built against the wall, its outer edge held up by two sticks. The low bed was built into the wall in the same way and softened for slumber by a mattress of pine needles, chaff, or dried moss. In the best light from the greased paper windowpanes stood the spinning wheel and loom, on which the housewife made cloth for the family's garments. Over the fireplace or beside the doorway, and suspended usually on stags' antlers, hung the firearms and the yellow powderhorns, the latter often carved in Indian fashion with scenes of the hunt or war. On a shelf or on pegs were the wooden spoons, plates, bowls, and noggins. Also near the fireplace, which was made of large flat stones with a mud-plastered log chimney, stood the grinding block for making hominy. If it were an evening in early spring, the men of the household would be tanning and dressing deerskins to be sent out with the trade caravan, while the women sewed, made moccasins or mended them, in the light of pine knots or candles of bear's grease. The larger children might be weaving cradles for the babies, Indian fashion, out of hickory twigs; and there would surely be a sound of whetting steel, for scalping knives and tomahawks must be kept keen-tempered now that the days have come when the red gods whisper their chant of war through the young leafage.
The Back Country folk, as they came from several countries, generally settled in national groups, each preserving its own speech and its own religion, each approaching frontier life through its own native temperament. And the frontier met each and all alike, with the same need and the same menace, and molded them after one general pattern. If the cabin stood in a typical Virginian settlement where the folk were of English stock, it may be that the dulcimer and some old love song of the homeland enlivened the work—or perhaps chairs were pushed back and young people danced the country dances of the homeland and the Virginia Reel, for these Virginian English were merry folk, and their religion did not frown upon the dance. In a cabin on the Shenandoah or the upper Yadkin the German tongue clicked away over the evening dish of kraut or sounded more sedately in a Lutheran hymn; while from some herder's hut on the lower Yadkin the wild note of the bagpipes or of the ancient four-stringed harp mingled with the Gaelic speech.
Among the homes in the Shenandoah where old England's ways prevailed, none was gayer than the tavern kept by the man whom the good Moravian Brother called “Severe.” There perhaps the feasting celebrated the nuptials of John Sevier, who was barely past his seventeenth birthday when he took to himself a wife. Or perhaps the dancing, in moccasined feet on the puncheon flooring, was a ceremonial to usher into Back Country life the new municipality John had just organized, for John at nineteen had taken his earliest step towards his larger career, which we shall follow later on, as the architect of the first little governments beyond the mountains.
In the Boone home on the Yadkin, we may guess that the talk was solely of the hunt, unless young Daniel had already become possessed of his first compass and was studying its ways. On such an evening, while the red afterglow lingered, he might be mending a passing trader's firearms by the fires of the primitive forge his father had set up near the trading path running from Hillsborough to the Catawba towns. It was said by the local nimrods that none could doctor a sick rifle better than young Daniel Boone, already the master huntsman of them all. And perhaps some trader's tale, told when the caravan halted for the night, kindled the youth's first desire to penetrate the mountain-guarded wilderness, for the tales of these Romanies of commerce were as the very badge of their free-masonry, and entry money at the doors of strangers.
Out on the border's edge, heedless of the shadow of the mountains looming between the newly built cabin and that western land where they and their kind were to write the fame of the Ulster Scot in a shining script that time cannot dull, there might sit a group of stern-faced men, all deep in discussion of some point of spiritual doctrine or of the temporal rights of men. Yet, in every cabin, whatever the national differences, the setting was the same. The spirit of the frontier was modeling out of old clay a new Adam to answer the needs of a new earth.
It would be far less than just to leave the Back Country folk without further reference to the devoted labors of their clergy. In the earliest days the settlers were cut off from their church systems; the pious had to maintain their piety unaided, except in the rare cases where a pastor accompanied a group of settlers of his denomination into the wilds. One of the first ministers who fared into the Back Country to remind the Ulster Presbyterians of their spiritual duties was the Reverend Hugh McAden of Philadelphia. He made long itineraries under the greatest hardships, in constant danger from Indians and wild beasts, carrying the counsel of godliness to the far scattered flock. Among the Highland settlements the Reverend James Campbell for thirty years traveled about, preaching each Sunday at some gathering point a sermon in both English and Gaelic. A little later, in the Yadkin Valley, after Craighead's day there arose a small school of Presbyterian ministers whose zeal and fearlessness in the cause of religion and of just government had an influence on the frontiersmen that can hardly be overestimated.
But, in the beginning, the pioneer encountered the savagery of border life, grappled with it, and reacted to it without guidance from other mentor than his own instincts. His need was still the primal threefold need—family, sustenance, and safe sleep when the day's work was done. We who look back with thoughtful eyes upon the frontiersman—all links of contact with his racial past severed, at grips with destruction in the contenting of his needs—see something more, something larger, than he saw in the log cabin raised by his hands, its structure held together solely by his close grooving and fitting of its own strength. Though the walls he built for himself have gone with his own dust back to the earth, the symbol he erected for us stands.