situated in the Marshes which lay between the English pale and the territories of the native Irish. During the centuries since its erection it has undergone many alterations and enlargements down to its final restoration in 1849.
In 1356 Maurice, 4th Earl of Kildare, was commanded by the king to “strengthen and maintain his castles of Kilkea, Rathmore, and Ballymore, under pain of forfeiting the same.” In 1426 the castle was enlarged by John FitzGerald, 6th Earl of Kildare. Again, about the year 1573, Gerald, the 11th Earl, repaired Kilkea after he was restored to the title and estates of which his half-brother, the “Silken Thomas,” had been dispossessed. Three sculptured stones are still in existence belonging to a chimney-piece placed in the dining-hall by this Earl, and have, after various vicissitudes, been replaced in somewhat their original positions.
This Earl was called the “Wizard Earl,” and the haunted room of the castle (which also contains a carved stone) is said to have been the place where he practised the Black Art. A legend regarding him runs thus:—His wife, not liking that he should have any secrets from her, begged him to let her be witness to some of his transformations and sorcery. At length he consented to give her three trials, but warned her that any sign of fear on her part would be fatal to him. First, the river Greese rose and flowed through the castle; secondly, an animal, half fish, half serpent, crept out of the water and twined round the lady’s feet; and thirdly, a ghost flitted to and fro, but all these failed to frighten the Countess. Then the Earl was transformed into a little black bird, which lit on her shoulder; but the devil, in the form of a cat, springing at it, she stretched forth her hand with a cry to protect her lord. Hence he and all his knights were spirited away to the Rath of Mullaghmast, where they sleep by their horses’ sides, fully clad in armour, and from thence they ride to Kilkea Castle every seven years. The Earl’s steed is shod with silver shoes, and as soon as they are worn out the spell will be broken, and he will return again to Kilkea, when, after about half a century, he will drive the ancient enemies of Ireland out of the country.
A lady writing of the castle in 1817, mentions the grand staircase being of massy oak, and amongst other things speaks of the ancient kitchen containing seven ovens. The building seems to have been somewhat dilapidated when the 3rd Duke of Leinster began to restore it (1849). Nearly all the battlements were thrown down, and its last tenant had made matters worse in searching for treasure. This same man, writing to the Duke in 1839, speaks of a carved oak ceiling in what had once been the castle chapel. This is said to have been on the north side.
During restoration a few quaint-shaped bottles containing liquid were found in a recess, and previously it is stated that an old gentleman sitting at a table, had been discovered built up in some part of the walls, but that he fell to dust at once when air was admitted.
Two underground passages are believed to connect the castle with the churchyard on the one hand, and a pagan tumulus or burial moat on the other.
The grooves of the portcullis by which the main entrance was protected are to be seen at the hall-door, and also the square holes for fixing beams of timber, which added to the security. The hall had a stone vaulted ceiling at the time of restoration, which was removed to give greater height. A new storey was also added to the building at this time.
The “Evil Eye Stone” is carved with a group of grotesque figures, and is situated 17 feet above the ground, in the quoin of the “Guard Room,” near the entrance-gate of the ancient bawn of the castle.