Note [89] page 46. The Spanish primor has failed to win Italian citizenship. Aventurare has become naturalized in Italy; as also have acertare (in the sense, however, of to assure, to make certain, to verify), ripassare (to repass, to repeat, to rebuff), rimproccio or rimprovero, and attilato or attillato, which is recognizable in the Spanish atildado. Creato (Spanish criado) is now replaced by creatura in the sense mentioned in the text; in Sicily creato is used to mean servant.
Note [90] page 47. The reference here is of course to the Attic, Doric, Ionic and Æolic dialects.
Note [91] page 47. Titus Livius was born at Padua 59 B.C., and died there 17 A.D. Of the one hundred and forty-two books of his History (which covered the period from the founding of Rome in 750 B.C. down to 9 B.C., and upon which he spent forty years of his life), only thirty-five have survived, together with an anonymous summary of the whole.
Note [92] page 48. Of the four forms here condemned by Castiglione as corrupt, three (Campidoglio, Girolamo, and padrone) have become firmly established in Italian. Campidoglio had been used by Petrarch (Trionfo d'Amore, i, 14),—an “old” but certainly not an “ignorant” Tuscan.
Note [93] page 49. Oscan was a pre-Roman language spoken by the Opici, an Italian tribe inhabiting the Campanian coast. Much of the mist that shrouded it for centuries has now been dispelled by the epigraphists. Both Dante and Petrarch were great lovers of Provençal, with which in Castiglione’s time his friend Federico Fregoso was familiar.
Note [94] page 50. Bidon was a native of Asti, and one of the most famous choristers in the service of Leo X.
ANDREA MANTEGNA
1431-1506
Enlarged from a part of Alinari’s photograph (no. 18657) of the bronze relief, surmounting Mantegna’s tomb in the Church of Sant'Andrea at Mantua, variously attributed to Bartolommeo di Virgilio Melioli (1448-1514), to Giovanni Marco Cavalli (born 1450), and, with less reason, to Sperandio di Bartolommeo de' Savelli (1425?-1500?).
Note [95] page 50. Marchetto Cara, a native of Verona, entered the service of the Gonzagas in 1495 and lived nearly thirty years at Mantua, where he was made a citizen by the Marquess Federico. He frequented also the court of Urbino, and is known to have been sent by the Marchioness Isabella to relieve the tedium of her friend and sister-in-law the Duchess Elisabetta’s exile at Venice in 1503. In his time he was among the most prolific and successful composers of profane music, especially of ballads and madrigals, and a number of his popular pieces have been preserved.