Meanwhile his interests were being neglected in London. Murray irritated him by his inexplicable negligence or worried him with sending foolish publications and provoking reviews. Gifford, a critic he loved and revered, from whom no praise, he said, could compensate for any blame,—Gifford, whose ideas on the drama were quite opposite to his own, had just been censuring his beautiful dramatic compositions.[191] Moreover, Italy having failed in her attempts at independence, was insulted in her misfortune by that world which smiles only on success, and thus, indirectly, the persons loved and esteemed by Lord Byron came in for their share of outrage. And all these contradictions, where and when did he experience them? At Ravenna, in a solitude and isolation that would have made the bravest stoic shudder, and that was prejudicial to him without his being aware of it. For there were two distinct temperaments in Lord Byron, that of his genius and that of his humanity, and the wants of one were not always those of the other. The first, from its nature and manifestations, required solitude. The second, eminently sociable, while yielding to the tyranny of the first, or bearing it from force of circumstance, suffered nevertheless when solitude became too complete. It was not the society of the great world, nor what are called its pleasures, that Lord Byron required; but a society of friends and clever persons capable of affording a little diversion to his monotonous life. When this twofold want did not meet with reasonable satisfaction, a certain degree of melancholy necessarily developed itself. "When he was not thrown into some unbearable sort of solitude, like that in which he found himself at Ravenna," says Madame G——," his good-humor and gayety only varied when letters from England came to move and agitate him, or when he suffered morally.
"I must, however, add that all sensitive agents, all atmospherical impressions, acted on him more than on others, and it might almost be said that his sky was mirrored in his soul, the latter often taking its color from the former; and if by that is understood the hereditary malady spoken of by others and himself, then they are right, for he had truly inherited a most impressionable temperament."
Moreover, the absolute, inexorable solitude caused by the absence of all his friends from Ravenna, was still further augmented by the occurrence of intermittent marshy fevers, which every body endeavors to avoid by flying from Ravenna at the close of summer, and to which he fell a prey. This fever, that seized hold of him, and even prevented his departure, might alone have sufficed to render him melancholy, for nothing more inclines to sadness. But so intimate was his persuasion that when sadness does not proceed from the heart it has no cause for existence, and so little was he occupied with self, that he would not allow there could be sufficient cause for melancholy in all the sufferings weighing upon him.
"I ride, I am not intemperate in eating or drinking, and my general health is as usual, except a slight ague, which rather does good than not. It must be constitutional; for I know nothing more than usual to depress me to that degree."[192]
But so little was it the necessary product of his temperament alone, so much, on the contrary, did it result from a host of causes accidentally united, that he had scarcely arrived at Pisa, where most of the causes either ceased or were neutralized, than his mind recovered its serenity, and he could write to Moore:—
"At present, owing to the climate (I can walk down into my garden and pluck my own oranges, indulging in this meridian luxury of proprietorship), my spirits are much better."
Whenever, then, his heart was happy in the happiness of those he loved, wherever he found an intellectual society to animate the mind, diverting and amusing him without imposing the chains of etiquette, we vainly seek the faintest trace of melancholy. But two great griefs soon befell him at Pisa, for sorrow never made long truces with Byron. Truly might we say that fate ceased not from making him pay for the privilege of his great superiority, by all the sufferings he endured. Soon after his arrival at Pisa, his little daughter Allegra, whom he was having educated at a convent in Romagna, died of fever, and shortly afterward Shelley was drowned! About the same time the publication of "Cain," then going on, raised a perfect storm, furnishing his enemies with pretexts for attacking and slandering him more than ever. They did it in a manner so violent and unjust, bringing in likewise his publisher Murray, that Lord Byron thought it incumbent on him to send a challenge to the poet laureate, the most perfidious among them all. At this same period, Hunt, who had lost all means of existence by the death of Shelley, forced himself on Lord Byron in such a disagreeable way as to become the plague of his life. Lastly, in consequence of a quarrel that arose between Sergeant Masi and Lord Byron's riding companions, an arbitrary measure was taken, which again compelled his friends—the Counts Gamba—to leave Pisa for Genoa; and he, though free to remain, resolved on sharing their fate and quitting Pisa likewise. For the Government, though subservient to Austrian rule, did not dare to apply the same unjust decree to an English subject of such high rank. Nevertheless, if we except the death of his little girl, which caused him profound sorrow—although he bore it with all the fortitude belonging to his great soul—and the death of Shelley, which also afflicted him greatly, none of the other annoyances had power to grieve him or to create melancholy.
"It seems to me," he wrote to Murray, "that what with my own country and other lands, there has been hot water enough for some time." This manner of announcing so many disagreeables, shows what self-possession he had arrived at, and how he viewed all things calmly and sagely, as Disraeli portrays him with truth in "Venetia," when he makes him say:—"'As long as the world leaves us quiet, and does not burn us alive, we ought to be pleased. I have grown callous to all they say,' observed Herbert. 'And I also,' replied Lord Cadurcis." Cadurcis and Herbert both represent Lord Byron; for Disraeli, like Moore, having felt that Lord Byron had enough in him to furnish several individualities, all equally powerful, thought it necessary to call in the aid of this double personification, in order to paint his nature in all its richness, with the changes to be wrought by time and events.
If the war waged against Lord Byron by envy, bigotry, and wickedness, had had power to create emotion during youth, and even later, the gentle, wise philosophy he afterward acquired in the school of adversity, so elevated his mind, that he could no longer suffer, except from wounds of heart, provided his conscience were at rest. When the stupid persecution raised against him on the appearance of "Cain" took place, he wrote to Murray from Pisa, on the 8th of February:—
"All the row about me has no otherwise affected me than by the attack upon yourself, which is ungenerous in Church and State.... I can only say, 'Me, me; en adeum qui feci;'—that any proceedings directed against you, I beg may be transferred to me, who am willing, and ought, to endure them all."