All this in a very delicate Italian hand, and leaving her lover, I imagine, a little jealous of “Henry Stiles,” in spite of the “rhapsody” at the beginning of the letter!
My father’s answer to that very letter is so full of deep joy at the “rhapsody,” in which his beautiful and occasionally capricious Southern sweetheart indulged, that I do not think he even remembered “Henry Stiles,” for he replies to her as follows:
New York, August 3rd.
How can I express to you the pleasure which I received in reading your letter! I felt as you recalled so vividly to my mind the last morning of our parting, the blood rush to my temples; and I had, as I was in the office, to lay the letter down, for a few minutes to regain command of myself. I had been hoping against hope to receive a letter from you, but such a letter! O, Mittie, how deeply, how devotedly I love you! Do continue to return my love as ardently as you do now, or if possible love me more. I know my love for you merits such return, and do, dear little Mittie, continue to write, (when you feel moved to!) just such “rhapsodies.”
On December 3, 1853, very shortly before her wedding, Martha Bulloch writes another letter, and in spite of her original “rhapsody,” and her true devotion to her lover, one can see that she has many girlish qualms, for she writes him: “I do dread the time before our wedding, darling—and I wish that it was all up and that I had died game!”
A year and a half later, May 2, 1855, Martha Roosevelt is again at the home of her childhood, this time with her little baby, my older sister, Anna, and her husband has to leave her, and she writes again:
“I long to hear you say once again that you love me. I know you do but still I would like to have a fresh avowal. You have proved that you love me dear, in a thousand ways and still I long to hear it again and again. It will be a joyful day when we meet again. I feel as though I would never wish to leave your side again. You know how much I enjoy being with mother and Anna, but all the same I am only waiting until ‘Thee’ comes, for you can hardly imagine what a wanting feeling I have when you are gone.
“Mother is out in the entry talking to one of the ‘Crackers.’ While I was dressing mother brought in a sweet rose and I have it in my breast pin. I have picked one of the leaves off just this moment and send it to you—for Thee—the roses are out in beautiful profusion and I wish you could see them....”
A year and a half in the cold North had not dimmed the ardor of affection between the young couple.
We children of the nursery in 28 East 20th Street loved nothing better than to make my mother and aunt tell us the story of the gay wedding at the old home near Atlanta. I remember still the thrill of excitement with which I used to listen to the details of that wonderful week before the wedding when all the bridesmaids and ushers gathered at the homestead, and every imaginable festivity took place.
One of my mother’s half-brothers had just returned from Europe, and fell in love at first sight with one of her beautiful bridesmaids, already, alas! engaged to another and much older man, not a member of the wedding-party. My child’s heart suffered unwarranted pangs at the story of the intense attraction of these two young people for each other, and I always felt that I could see the lovely bridesmaid riding back with the man to whom she had unwittingly given her heart, under the Southern trees dripping with hanging moss. The romantic story ended tragically in an unwilling marriage, a duel, and much that was unfortunate.