The shoemaker rocked back and forth upon his stool in silent, ill-natured glee.
“And this is the dame who had sworn to give over gossiping,” he exclaimed. “No, you would not whisper it, you would shout it louder than could the town crier himself. Therefore I will not tell you.”
“I think you do not know,” returned Goody Parsons with spirit, and she flounced out of his workshop with as much haughtiness as her still old joints would permit. She left Skerry muttering and frowning over her remark, which had evidently come nearer to the truth than he liked. It was not often that the shoemaker’s crafty curiosity failed to penetrate the most hidden mysteries, but in this matter of his helper’s absence he seemed to have met with distinct failure. Whatever it was that took Roger Bardwell so often to the forest, whatever it was that made his blue eyes more serious and his face more sober every day, no questioning or spying on his master’s part served to draw the secret from him.
Margeret Radpath saw him seldom, but even on those rare occasions she noticed how much graver and more troubled he seemed to be as time went by. Was Samuel Skerry so cruel to him, she wondered; was life within the same four walls with the shoemaker’s rasping tongue so hard to bear? She wished often that she might know the truth of the matter and whether she or her father could be of any help.
She was sent one day with Master Simon’s great snow boots that must be mended before the winter, and she tried, all the way across the field, to summon courage enough to offer Roger some word of sympathy and friendship. The shoemaker’s cottage, with its wide-spreading eaves and small deep windows looked somehow of a very lowering and forbidding aspect, as she made her way with failing spirit up the stone-flagged pathway to its door. It had been built almost the first of the cottages of Hopewell, not by Samuel Skerry, but by a stout-hearted weaver, one of the earliest settlers. He had gone now to dwell in Salem but throughout the first and most troubled years of the Colony’s history he had lived here all alone. There was a tale that once an Indian, whom the weaver had made an enemy, had come there in the night seeking to kill the white man who was so bold as to dwell by himself. The weaver, a man of mighty strength, had overpowered the Indian, had cut the web from his loom and had bound his struggling foe to the great armchair that stood by the fire. Then he had calmly mounted once more to his high bench, had set up his weaving and had toiled busily the whole night through, singing as he worked. Neighbours came in the morning and, at the weaver’s orders, released the Indian who slunk off into the forest inspired with a wholesome dread of these mad white men who feared nothing. Margeret thought, as she came up the path, that the cottage looked like just the place where stirring things might have happened in the past and might some day happen again.
On peeping in through the open door she saw that the loom had never been taken down and that even the weaver’s great armchair still held its place before the fire. It seemed dark within, after the bright sunshine outside, but she could make out the figure of Roger Bardwell bending over the shoemaker’s bench in the further corner of the room. His work lay unfinished on his knee and his face was buried in his hands. Utter weariness and despair spoke in his whole attitude. He sprang up quickly, however, when he heard her footstep and greeted her with his shy smile.
“Why, Mistress Margeret,” he was beginning, when he was interrupted by the opening of the back door of the cottage and the abrupt entry of Samuel Skerry.
“So,” said the shoemaker to Margeret, “you have an errand here? Then state it quickly, for ours are busy days and time means good money.”
Dismayed at his harsh tone, Margeret quickly drew the heavy boots from under her arm.
“These are worn in the soles and are to be mended,” she said. “My father says that—”