Working With the Working Woman

by Cornelia Stratton Parker

(The Handbook on the Partnership Plan reads: “Our profit sharing is a 50-50 proposition. The market wage of our industry is paid to Labor and a minimum of 6% is paid to Capital. After these have been paid, together with regular operating expenses, depreciation reserve, taxes, etc., and after the Sinking Funds have been provided for by setting aside 15% of the next profits for Labor and 15% for Capital, the remaining net profits are divided 50% for Capital and 50% for the operatives, and the latter sum divided in proportion to the amount of each one's pay for the period.... A true partnership must jointly provide for losses as well as for the sharing of profits.... These Sinking Funds are intended to guarantee Capital its minimum return of 6% during periods when this shall not have been carried, and to provide unemployment insurance for the operatives, paying half wages when the company is unable to furnish employment.”)

In the candy factory back in New York, Ida, the forelady, would holler from the end of the room, “My Gawd! girls, work faster!” At the bleachery, when extra effort was needed, the forelady passed a letter around our table from a New York firm, saying their order must be filled by the end of that week or they would feel justified in canceling the same. Every girl read the letter and dug her toes in. No one ever said, “You gotta work overtime to-night!” We just mutually decided there was nothing else to do about it, so it was, “Let's work overtime to-night again.” It was time-and-a-half pay for overtime, to be sure, but it would be safe to assert it was not alone for the time and a half we worked. We felt we had to catch up on orders. A few times only, some one by about four o'clock would call: “Oh, gee! I'm dead; I've been workin' like a horse all day. I jus' can't work overtime to-night.” The chances were if one girl had been working like a horse we all had. Such was the interrelation of jobs at our table.

Except, indeed, Italian Nancy. Whether it was because Nancy was young, or not overstrong, or not on piece rates, or a mixture of the three, Nancy never anguished herself working, either during the day or overtime. One evening she spent practically the entire overtime hour, at time and a half, washing and ironing a collar and cuffs for one of the girls. Nor did any of our table think it at all amiss.

During the day Nancy was the main little visitor from our table. She ambled around and brought back the news. If interesting enough from any quarter, another of us would betake herself off for more details. One day Nancy's young eyes were as big as saucers.

“Say, whatdyaknow! That Italian girl Minna, she's only fifteen and she's got a gold ring on with a white stone in it and she says she's engaged!” We sent Nancy back for more details. For verification she brought back the engagement ring itself. “Whatdyaknow! Only fifteen!” (Nancy herself was a year beyond that mature age.) “The man she's goin' to marry is awful old, twenty-five! Whatdyaknow!” At a previous time Nancy had regaled our table with an account of how, out of a sense of duty to a fellow-countryman, she had announced to this same Minna that she simply must take a bath. “Na,” said Minna, “too early yet.” That was the end of May.

We were all, even I after the third day, on piecework at our table, except Nancy. Most of the girls in Department 10 were on piecework. There was one union in the bleachery; that was in another department where mostly men were employed—the folders. They worked time rates. With us, as soon as a girl's record warranted it, she was put on piece rates. Nancy and most of those young girls were still, after one or two years, on time rates—around eleven dollars a week they made. There was one case of a girl who did little, day in and day out, but her hair. She was the one girl who used a lipstick. They had taken her off time rates and put her on piecework. She was a machine operator. The last week I was there her earnings were a little over two dollars for the week. She was incorrigible. Some of the machine operators made around thirty dollars a week. The mangle girls earned around twenty-five dollars. Old Mrs. Owens, standing up and inspecting sheets at the table behind me, made from twenty dollars to twenty-five dollars. (Mrs. Owens had inspected sheets for thirteen years. I asked her if she ever felt she wanted to change and try something else. “No, sir,” said Mrs. Owens; “a rolling stone gathers no moss.”) Mamie, bundler, made around sixteen dollars; Margaret, at our table, went as high once as twenty-five dollars, but she averaged around twenty dollars. My own earnings were twelve dollars and fifty-three cents the first week, fifteen dollars and twenty-three cents the second, eight dollars and twenty-seven cents the third. All the earnings at our table were low that last week—Margaret's were around twelve dollars. For one thing, there was a holiday. No wonder employers groan over holidays! The workers begin to slacken up about two days ahead and it takes two days after the day off to recover. Then, too, we indulged in too much nonsense that last week. We laughed more than we worked, and paid for it. The next week Mamie and Margaret claimed they were going to bring their dinners the whole week to work that noon hour and make up for our evil days. But as gray-haired Ella Jane said, she laughed so much that week she claimed she had a stomach ache. “We'll be a long time dead, once we die. Why not laugh when you get a chance?”

Why not?—especially in a small town where it is well to take each chance for fun and recreation as it comes—since goodness knows when the next will show itself. Outside of the gayety during working hours, there was little going on about the Falls. Movies—of course, movies. Four times a week the same people, usually each entire family, conscientiously change into their best garments and go to the movie palace. The children and young people fill the first rows, the grown folk bring up the rear. Four times a week young and old get fed on society dramas, problem plays, bathing girl comedies. Next day it is always:

“Sadie, did ya saw the show last night? Wasn't it swell where she recognized her lover just before he got hung?”

Just once since movies were has the town been taken by storm, and that was while I was there. It was “The Kid” that did it. Many that day at the bleachery said they weren't going—didn't like Charlie Chaplin—common and pie-slinging; cheap; always all of that. Sweet-faced Mamie, who longs to go through Sing Sing some day—“That's where they got the biggest criminals ever. Wonder if they let you see the worst ones”—Mamie, who had thrilled to a trip through the insane asylum; Mamie, who could discuss for hours the details of how a father beat his child to death; Mamie, to whom a divorce was meat and a suicide drink—Mamie wasn't going to see Charlie Chaplin. All that pie-slinging stuff made her sick.

Usually a film shows but once at the Falls. “The Kid” ran Monday matinée. Monday night the first time in history the movie palace was filled and over two hundred turned away. Tuesday night it was shown to a third full house. Everyone was converted.