The table ahead, fingers flying like mad over the boxes, works Annie. It is plain she will have sixty boxes done before I have one. Just then a new girl from the line of that morning is put on the other side of my table. She is very cold. She fares worse with brown paper cups than I. Finally she puts down the patient piece of chocolate candy and takes both hands to the job of separating one cup from the others. She places what is left of the chocolate in the middle of what is left of the paper, looks at me, and better than any ouija board I know what is going on in her head. I smile at her, she smiles back, and she eats that first chocolate. Tessie and I are friends for life.
Then we tackle the second union of chocolate and paper. Such is life. Allah be praised, the second goes a shade less desperately than the first, the third than the second, and in an hour chocolate and paper get together without untoward damage to either. But the room stays feeling warm. Anon a sensation begins to get mixed up with the hectic efforts of fingers. Yes, yes—now it's clear what it is—feet! Is one never to sit down again as long as one lives? Clumsy fingers—feet. Feet—clumsy fingers. Finally you don't give a cent if you never learn to pry those paper cups loose without wrenching your very soul in the effort. If once before you die—just once—you can sit down! Till 12 and then after, 1 till 6. Help!
A bell rings. “All right, girls!” sings Ida down the line. Everyone drops everything, and out into the warm main third floor we go. All the world is feet. Somehow those same feet have to take their possessor out to forage for food. Into a little dirty, crowded grocery and delicatessen store we wedge ourselves, to stand, stand, stand, until at last we face the wielder of a long knife. When in Rome do as the Romans do. “A bologna and a ham sandwich and five cents' worth of pickles.” Slabs of rye bread, no butter, large, generous slices of sausage and ham which hang down curtainlike around the bread—twenty-one cents. Feet take me back to the factory lunch room. At last I flop on a chair. Sing songs to chairs; write poems to chairs; paint chairs!
Dear German Tessie, pal of the morning, she who ate more chocolates than I and thus helped to sustain my moral courage—Tessie and I eat bologna sausage sandwiches together and sit. The feet of Tessie are very, very badly off—ach!—but they feel—they feel—jus' fierce—and till six o'clock—“Oh, my Gawd!” says Tessie, in good English.
A gong sounds. Up we go to the ice box packing room. It sends the shivers down our spines. But already there is a feeling of sauntering in like an old hand at the game. What's your business in life? Packing chocolates. The half-pound boxes get finished, wax paper on top, covered, stacked, counted, put on the truck.
“Lena! Start the girl here in on 'assorteds.'”
Pert little Lena sidles up alongside and nudges me in the ribs.
“Say, got a fella?”
I give Lena one look, for which Belasco should pay me a thousand dollars a night. Lena reads it out loud quick as a wink. She snickers, pokes me in the ribs again, and, “What to hell do I think you are, hey?” That's just what I'd meant. “Gee!” says Lena. “Some fool what can't get some kind of a dope!”
“You said it!”