"I've been around the world, you know that? I sailed with a tramp steamer, the Slippery Trick. I saw the naked savages of Polynesia, and the voodoo witches that the freed slaves of the Caribbean worship, and the coolies pulling rickshaws in Peking. It was so hard to come home to Frisco, after five years at sea."
To my surprise, he sat down next to me, in the dirt and roots at the base of the tree. "You know, aboard the Trick, they called me Runnyguts — I threw up every hour for my first month. I was more reliable than the Watch! But they didn't mean anything by it. When you live with a crew for years, you become a different person. We'd be out at sea, nothing but water as far as the eye could see, and we'd be playing cards on-deck. We'd told each other every joke we knew already, and every story about home, and we knew that deck of cards so well, which one had salt-water stains on the back and which one turned up at corner and which one had been torn, and we'd just scream at the sun, so bored! But then we'd put in to port at some foreign city, and we'd come down the plank in our best clothes, twenty men who knew each other better than brothers, hard and brown from months at sea, and it felt like whatever happened in that strange port-of-call, we'd come out on top."
"And then I came back to the Frisco, and the Captain shook my hand and gave me a sack of gold and saw me off, and I'd never felt so alone, and I'd never seen a place so foreign.
"I went back to my old haunts, the saloons where I'd gone for a beer after a day's work at the docks, and the dance-halls, and the theatres, and I saw my old chums. That was hard, James."
He stopped then. I found myself saying, "How was it hard, Mr Adelson?"
He looked surprised, like he'd forgotten that he was talking to me. "Well, James, it's like this: when you're away that long, you get to invent yourself all over again. Of course, everyone invents themselves as they grow up. Your chums there —" he gestured at the boys, who were now trying, with varying success, to turn somersaults, dirtying their school clothes "— they're inventing themselves right now, whether they know it or not. The smart one, the strong one, the brave one, the sad one. It's going on while we watch!
"But when you go away, nobody knows you, and you can be whoever you want. You can shed your old skin and grow a new one. When we put out to sea, I was just a youngster, eighteen years old and fresh from my Pa's house. He was a cablecar engineer, and wanted me to follow in his shoes, get an apprenticeship and join him there under the hills, oiling the giant pulleys. But no, not me! I wanted to put out to sea and see the world. I'd never been out of the city, can you believe that? The first port where I took shore leave was in Haiti, and when I stepped onto the dock, it was like my life was starting all over again. I got a tattoo, and I drank hard liquor, and gambled in the saloons, and did all the things that a man did, as far as I was concerned." He had a faraway look now, staring at the boys' game without seeing it. "And when I got back on-board, sick and tired and broke, there was a new kid there, a negro from Port-Au-Prince who'd signed on to be a cabin boy. His name was Jean-Paul, and he didn't speak a word of English and I didn't speak a word of French. But I took him under my wing, James, and acted like I'd been at sea all my life, and showed him the ropes, and taught him to play cards, and bossed him around, and taught him English, one word at a time.
"And that became the new me. Every time a new hand signed on, I would be his teacher, his mentor, his guide.
"And then I came home.
"As far as the folks back home were concerned, I was the kid they'd said good-bye to five years before. My father thought I was still a kid, even though I'd fought pirates and weathered storms. My chums wanted me to be the kid I'd been, and do all the boring, kid things we'd done before I left — riding the trolleys, watching the vaudeville shows, fishing off the docks.