"It's Caitlin," she says.
"I beg your pardon?"
"My name is Caitlin," she says.
"Hi, Caitlin," I said. I extend my hand, but she doesn't move the ten yards she would have to cross in order to take it. I think about moving towards her, but think better of it.
"You're not up here to jump, are you?"
"Jump? Christ, no! Just stuck is all. Just stuck."
Linda's goddamned boyfriend was into all this flaky Getting to Yes shit, subliminal means of establishing rapport and so on. Linda and I once spent an afternoon at the Children's Carousel uptown in Manhattan, making fun of all his newage theories. The one that stood out in my mind as funniest was synching your breathing — "What you resist persists, so you need to turn resistance into assistance," Linda recounted. You match breathing with your subject for fifteen breaths and they unconsciously become receptive to your suggestions. I have a suspicion that Caitlin might bolt, duck back through the door and pound down the stairs on her chubby little legs and leave me stranded.
So I try it, match my breath to her heaving bosom. She's still panting from her trek up the stairs and fifteen breaths go by in a quick pause. The silence stretches, and I try to remember what I'm supposed to do next. Lead the subject, that's it. I slow my breathing down gradually and, amazingly, her breath slows down along with mine, until we're both breathing great, slow breaths. It works — it's flaky and goofy California shit, but it works.
"Caitlin," I say calmly, making it part of an exhalation.
"Yes," she says, still wary.