"This is great stuff. Damn! How do you do that?"
I feel a familiar swelling of pride. I like it when people understand how good I am at my job. Working at V/DT was hard on my ego: after all, my job there was to do a perfectly rotten job, to design the worst user experiences that plausibility would allow. God, did I really do that for two whole goddamned years?
"It's my job," I say, and give a modest shrug.
"What do you charge for work like that?"
"Why, are you in the market?"
"Who knows? Maybe after I figure out how to spring you, we can go into biz together, redesigning nuthatches."
22.
Linda's first meeting with Art's Gran went off without a hitch. Gran met them at Union Station with an obsolete red cap who was as ancient as she was, a vestige of a more genteel era of train travel and bulky luggage. Just seeing him made Art's brain whir with plans for conveyor systems, luggage escalators, cart dispensers. They barely had enough luggage between the two of them to make it worth the old man's time, but he dutifully marked their bags with a stub of chalk and hauled them onto his cart, then trundled off to the service elevators.
Gran gave Art a long and teary hug. She was less frail than she'd been in his memory, taller and sturdier. The smell of her powder and the familiar acoustics of Union Station's cavernous platform whirled him back to his childhood in Toronto, to the homey time before he'd gotten on the circadian merry-go-round.
"Gran, this is Linda," he said.