Stuck. The sheet-metal chimneys stand tall around the roof, unevenly distributed according to some inscrutable logic that could only be understood with the assistance of as-built drawings, blueprints, mechanical and structural engineering diagrams. Surely though, they are optimized to wick hot air out of the giant brick pile's guts and exhaust it.
I move to the one nearest the stairwell. It is tarred in place, its apron lined with a double-row of cinderblocks that have pools of brackish water and cobwebs gathered in their holes. I stick my hand in the first and drag it off the apron. I repeat it.
Now the chimney is standing on its own, in the middle of a nonsensical cinderblock-henge. My hands are dripping with muck and grotendousness. I wipe them off on the pea gravel and then dry them on my boxer shorts, then hug the chimney and lean forward. It gives, slowly, slightly, and springs back. I give it a harder push, really give it my weight, but it won't budge. Belatedly, I realize that I'm standing on its apron, trying to lift myself along with the chimney.
I take a step back and lean way forward, try again. It's awkward, but I'm making progress, bent like an ell, pushing with my legs and lower back. I feel something pop around my sacrum, know that I'll regret this deeply when my back kacks out completely, but it'll be all for naught if I don't keep! on! pushing!
Then, suddenly, the chimney gives, its apron swinging up and hitting me in the knees so that I topple forward with it, smashing my chin on its hood. For a moment, I lie down atop it, like a stupefied lover, awestruck by my own inanity. The smell of blood rouses me. I tentatively reach my hand to my chin and feel the ragged edge of a cut there, opened from the tip and along my jawbone almost to my ear. The cut is too fresh to hurt, but it's bleeding freely and I know it'll sting like a bastard soon enough. I go to my knees and scream, then scream again as I rend open my chin further.
My knees and shins are grooved with deep, parallel cuts, gritted with gravel and grime. Standing hurts so much that I go back to my knees, holler again at the pain in my legs as I grind more gravel into my cuts, and again as I tear my face open some more. I end up fetal on my side, sticky with blood and weeping softly with an exquisite self-pity that is more than the cuts and bruises, more than the betrayal, more than the foreknowledge of punishment. I am weeping for myself, and my identity, and my smarts over happiness and the thought that I would indeed choose happiness over smarts any day.
Too damned smart for my own good.
14.
"I just don't get it," Fede said.
Art tried to keep the exasperation out of his voice. "It's simple," he said. "It's like a car radio with a fast-forward button. You drive around on the MassPike, and your car automatically peers with nearby vehicles. It grabs the current song on someone else's stereo and streamloads it. You listen to it. If you don't hit the fast-forward button, the car starts grabbing everything it can from the peer, all the music on the stereo, and cues it up for continued play. Once that pool is exhausted, it queries your peer for a list of its peers — the cars that it's getting its music from — and sees if any of them are in range, and downloads from them. So, it's like you're exploring a taste-network, doing an automated, guided search through traffic for the car whose owner has collected the music you most want to listen to."