The back-alleys of Kensington were a maze of coach houses, fences, dead ends and narrow doorways. Kids who knew their secrets played ball-hockey nearly undisturbed by cars, junkies turned them into reeking pissoirs, homeless people dossed down in the lees of their low, crazy-angled buildings, teenagers came and necked around corners.
But Alan knew their secrets. He’d seen the aerial maps, and he’d clambered their length and breadth and height with Kurt, checking sight lines for his network, sticking virtual pushpins into the map on his screen where he thought he could get some real benefit out of an access point.
So once he reached Kensington Avenue, he slipped behind a Guyanese patty stand and stepped through a wooden gate and began to make his way to the back of Kurt’s place. Cautiously.
From behind, the riot of colors and the ramshackle signs and subculture of Kensington was revealed as a superfice, a skin stretched over slightly daggy brick two-stories with tiny yards and tumbledown garages. From behind, he could be walking the back ways of any anonymous housing development, a no-personality greyzone of nothing and no one.
The sun went behind a cloud and the whole scene turned into something monochromatic, a black-and-white clip from an old home movie.
Carefully, he proceeded. Carefully, slipping from doorway to doorway, slipping up the alleyway to the next, to the corner that led to the alley that led to Kurt’s. Carefully, listening, watching.
And he managed to sneak up on Krishna and Davey, and he knew that for once, he’d be in the position to throw the rocks.
Krishna sat with his back against the cinderblock wall near Kurt’s back door, knees and hands splayed, head down in a posture of supplication. He had an unlit cigarette in his mouth, which he nervously shifted from corner to corner, like a soggy toothpick. Behind him, standing atop the dented and scabrous garbage cans, Dumont.
He rested his head on his folded arms, which he rested on the sill, and he stood on tiptoe to see in the window.