The glazier was technically retired, but he’d built every display case that had ever sat inside any of Alan’s shops and was happy to make use of the small workshop that his daughter and son-in-law had installed in his garage when they retired him to the burbs.
The bookcases went into the house, along each wall, according to a system of numbers marked on their backs. Alan had used Tony’s measurements and some CAD software to come up with a permutation of stacking and shouldering cases that had them completely covering every wall—except for the wall by the mantelpiece in the front parlor, the wall over the countertop in the kitchen, and the wall beside the staircases—to the ceiling.
He and Tony didn’t speak much. Tony was thinking about whatever people who drive moving vans think about, and Alan was thinking about the story he was building the house to write in.
May smelled great in Kensington Market. The fossilized dog shit had melted and washed away in the April rains, and the smells were all springy ones, loam and blossoms and spilled tetrapak fruit punch left behind by the pan-ethnic street-hockey league that formed up spontaneously in front of his house. When the winds blew from the east, he smelled the fish stalls on Spadina, salty and redolent of Chinese barbecue spices. When it blew from the north, he smelled baking bread in the kosher bakeries and sometimes a rare whiff of roasting garlic from the pizzas in the steaming ovens at Massimo’s all the way up on College. The western winds smelled of hospital incinerator, acrid and smoky.
His father, the mountain, had attuned Art to smells, since they were the leading indicators of his moods, sulfurous belches from deep in the caverns when he was displeased, the cold non-smell of spring water when he was thoughtful, the new-mown hay smell from his slopes when he was happy. Understanding smells was something that you did, when the mountain was your father.
Once the bookcases were seated and screwed into the walls, out came the books, thousands of them, tens of thousands of them.
Little kids’ books with loose signatures, ancient first-edition hardcovers, outsized novelty art books, mass-market paperbacks, reference books as thick as cinderblocks. They were mostly used when he’d gotten them, and that was what he loved most about them: They smelled like other people and their pages contained hints of their lives: marginalia and pawn tickets, bus transfers gone yellow with age and smears of long-ago meals. When he read them, he was in three places: his living room, the authors’ heads, and the world of their previous owners.
They came off his shelves at home, from the ten-by-ten storage down on the lakeshore, they came from friends and enemies who’d borrowed his books years before and who’d “forgotten” to return them, but Alan never forgot, he kept every book in a great and deep relational database that had begun as a humble flatfile but which had been imported into successive generations of industrial-grade database software.
This, in turn, was but a pocket in the Ur-database, The Inventory in which Alan had input the value, the cost, the salient features, the unique identifiers, and the photographic record of every single thing he owned, from the socks in his sock drawer to the pots in his cupboard. Maintaining The Inventory was serious business, no less important now than it had been when he had begun it in the course of securing insurance for the bookshop.
Alan was an insurance man’s worst nightmare, a customer from hell who’d messenger over five bankers’ boxes of detailed, cross-referenced Inventory at the slightest provocation.